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Alpha Dad Movie Reviews
Feature Review
12/19/07
I Am
Legend
Rated PG-13, 1 hr. 40 min.
In Theaters and IMAX
☆☆☆☆

I Am
Legend
Part horror story, part human drama,
I Am Legend makes for a superbly entertaining movie.
The flick is based on a novel by
Richard Matheson, written in 1954, with an original setting of 1976.
This is the third evolution and update of the story on the big screen.
The first two representations were The Last Man on Earth (1964), with
Vincent Price; and The Omega Man (1971), starring Charlton Heston. The
modern version with Will Smith brings one of the most capable young
actors of our time to the screen in a compelling personal story, as well
as retaining the elements of an apocalyptic end to humanity. With
vampires.
The essential story is that humanity
has been wiped out by a rapidly mutating virus. This subsequent
devastation is a result of a heralded cure for cancer which mutated into
a morbid plague, leaving the few survivors as subhuman cannibals. Will
Smith is Colonel Robert Neville, a military scientist who leads the vain
attempts by the US government to stop the virus from
spreading
and affecting the entire country. Neville is based in New York City,
where the plague has initially been contained in the US, and the city is
effectively quarantined by the military. Neville is one of the
infinitesimal number of people that are immune to the disease, and is
eventually the last human survivor in NY.
After two years of solitude,
Neville’s sanity is slipping, and his only solace is in his dog Sam, and
his work to find a cure for the virus. Even though entirely alone in
the city during the day, he must retreat to his fortress of a house by
sunset, as the night is owned by the scores of remaining humans, all
turned to vampires by the plague. In his excursions across town during
daylight – we are treated to Neville racing across the deserted silent
city in a Mustang GT 500 – he fills his time mundanely, hunting for game
that has begun to flourish in the urban environment, collecting from his
Victory Garden, and changing out movies from the video store. He is
beginning to crack under the strain of loneliness and lack of human
contact. He begins to talk to the mannequins when he is in the movie
store, and he rambles at times with his dog.
Though this may sound trite in
abstract, Neville's relationship with Sam is significant, as it is the
last vestige of his previous life, as the dog was the family pet as
puppy, before the catastrophe. Neville has raised the dog as his only
companion sin ce
the disaster. Canines are immune to the airborne form of the
rabies-like virus, but can be infected by direct transmission. In this
Neville is incredibly tense at all times for the safety of the dog.
This fact is compelling, for the viewer needs to become involved in
empathy: imagine being the absolute last person on earth- no one to talk
to, absolute loneliness and despair, compounded by the compulsion to
find a solution or cure as savior to the remnants of the human race.
This brings the story to the more significant point of drama and the
human condition. There is Neville’s insufferable fear and stress,
punctuated by horror and action as is required of most blockbuster
movies in our time.
The time frame of the story as
depicted in the movie is short, but Smith is convincing in the lead,
giving exceptional character development and exposition in the brief
time allowed. He shows it all – fear, despair, loneliness. All in
realistic and humane terms. The movie is virtually devoid of any
comedic relief, as is common in most of the movies that Will Smith stars
in. This does not detract from the movie whatsoever. He takes the role
of Neville, and shows in exceptional terms how any person would slip
away from sanity in the midst of such abject isolation. Action is more
subtle than explosive, but the high-intensity of Smith’s human qualities
throughout makes it all the more interesting.
The overall graphic scheme of the
movie is very good, with scenery and environments brought to life
incredibly well. New York as a deserted, desolate place is depicted
superbly in special effects,
and
sets the overarching emotional tone for the movie. If you have ever
been to this city, at times it is appealing as shown as an empty place,
with the earth moving slowly to regain itself in the manmade landscape.
There has been complaint in other reviews and opinions on the CGI
elements of the feature – particularly the vampiric humans – as not
being sufficiently sophisticated or realistic. There have been movies
that are better in their effects, but I Am Legend outshines as a drama
and story of man.
There will be no spoilers in this
review. Thankfully the splatter level is low, and the movie is driven
on story and Smith’s acting rather than overblown gore. Rest assured,
this is a forceful drama, inserted into a horror story. Alpha Dad
readers should find this an interesting and entertaining movie over the
holidays.
- AP
DEC07
Reference-
Pictures and official Warner Brothers
Pictures movie website:
www.iamlegend.com
Short Reviews- New on DVD
12/17/07
The
Bourne Ultimatum
Rated R, 1 hr. 51 min.
☆☆☆☆
The Bourne Ultimatum
The
latest, and ostensibly the last, installment in the Jason Bourne series.
These books – then movies – are bestsellers, following the action of
Bourne as a super-agent. Bourne loses his memory of who and what he is,
and what he is capable of, after refusing to complete an assassination
mission, and is shot in the process, and ends up in the Mediterranean
Sea.
Bourne Ultimatum stays true to the series with incredible action –
awesome fight scenes, great chases – and a plausible plot line that
unfolds over the movie. The interesting part is that you can watch this
installment as a stand-alone, and fully understand the storyline, but it
is an extension of the trilogy (Bourne Identity, Bourne Supremacy,
Bourne Ultimatum) that makes sense and is an excellent series.
In this feature, we find Bourne still pursued as a fugitive agent, with
a death sentence on his head. He is slated for elimination, as he was
the original member of a dark secret program – Treadstone – within the
CIA, whose charter is to do all the dirty assassinations necessary to
achieve strategic objectives. Now that Bourne has lost his overall
memory of his induction into the progra m,
his training, and his subsequent work, and refused to complete his final
mission, he is considered a liability to the black-ops organization.
The action begins in Russia, and from there spans across London; Paris;
Tangiers, Morocco; and New York. Every stage of the story is full of
action, foot chases, car chases, and high-tension hand-to-hand combat.
What is exceptional about the Bourne movies is that it never drags, but
is not so overdone as to be unbelievable. Granted, at times Bourne seems
to be capable of almost impossible acts- he drives cars like a Formula
One driver, knows how to make field-expedient bombs and weapons – but
it’s never hokey or implausible. Of note in the films is a specific lack
of gore, as in most action films today. Quite the contrary – as Bourne
comes to realize he was a trained assassin, he takes great pains not to
kill any of those pursuing him, from local police to other Treadstone
operatives. All serious action and violence in the movies is free of
graphic gore that is common in this genre.
Matt Damon is exceptional as the lead character, keeping the story alive
and realistic. His internal struggle coming to grips with what he is
capable of doing and how he came to where he is a hunted man is all
supported by Damon’s depiction of the character. Action films never seem
to reach the lofty artistic requirements of the Oscars (which usually
end up being a snore for real movie-goers), but Damon does a great job
in ‘being’ Jason Bourne.

The graphic quality of the movie is a continuation of the cinematic
style of its antecedents- grayscale bent to the coloring, high
resolution and sharpness to the picture. At times the cinematography,
most often up close with the characters, and shot in what some critics
have called ‘jitter-cam’ can be a bit distracting, but it adds to the
intensity of the action overall. The musical score is also notable in
raising the tension and pacing the story.
The Bourne Ultimatum is a must-have for any action movie fan. It is
suggested to watch the entire series – The Bourne Identity, The Bourne
Supremacy, and The Bourne Ultimatum – either over consecutive nights, or
as a mini film festival. This gives the best development of the whole
Bourne character and resolution in the final film. All the works fit
well and transition from one to the next, never leaving the viewer
disappointed.
Either Ultimatum as a single, or the trilogy, would make a great gift
item for any Alpha Dad or Alpha Male. Go get them and put them in the
DVD player.
The Bourne Ultimatum
Amazon ASIN: B000VWYJ86
The Bourne Trilogy
Amazon ASIN: B000YMBBH0
Reference-
All pictures and the official Universal Pictures website:
http://www.universalpictures.com/bourne/main.html
Superbad
Rated R, 1 hr. 54 min.
☆☆☆☆☆
This absolutely hilarious flick should go on the
shelf right next to Animal House. It will be a cult classic for years,
guaranteed. Sure, it features the tortured angst of a group of nerdy
teenagers closing out their high school years, but it’s not a kid’s
movie, and doesn’t disappoint for adults. Snappy dialogue, the misery of
being horny desperate teen guys, and the remarkable events of that last
big party of the year, all make for an exceptionally entertaining
feature. This movie is rated R, with good reason, but in my opinion is
one of the best comedies you can see. Laughs start to end.
Superbad
Amazon ASIN: B000WZEZGI
Blade
Runner- The Final Cut
Rated R, 1 hr. 57 min.
☆☆☆☆☆

If you’ve never seen Blade Runner,
don’t let this one pass.
Produced before Harrison Ford got
kind of weird, before Edward James Olmos went political, and before
Rutger Hauer got old, this is one of the greatest science fiction movies
ever made. Don’t let that genre put you off; the film is directed by
the inestimable Ridley Scott (American Gangster; Blackhawk Down;
Hannibal; Gladiator; Alien). Blade Runner was the forerunner to many
films following, in building incredible worlds that are imagined as our
near future. Great graphics and overall scope of the fantastic
civilization created in the film set as the backdrop for a great action
story.
Blade Runner- The Final Cut
Amazon ASIN: B000UD0ESA
Feature Review
12/11/07
Beowulf
Rated PG-13, 1 hr. 23 min.
In Theaters and IMAX
☆☆☆

Beowulf
This is the legend of Beowulf, retold in a CGI
full-animation production. This is a presentation of a myth from a story
written in
700
A.D., which is actually a literary capture of oral narrative over
centuries before this time, with the events of the story taking place
around 500 A.D. The story is actually good: itinerant warrior vassal –
Beowulf – comes to a kingdom in Scandinavia, seeking fame and glory.
Beowulf is charged with killing a monster that comes and goes, wreaking
destruction on the stronghold of the kingdom. Beowulf successfully
dispatches the creature, Grendel, but then the mother of the beast
(voice-over and character model of Angelina Jolie) – a female demon –
exacts vengeance upon him and his band of warriors. Beowulf is forced to
chase the demoness into her lair to save his honor and ensure the safety
of the kingdom. When confronted with the demon, she entices him with
promises of glory, fortunes, and to be the greatest king the world has
ever known. If he will bear her a son.
It is interesting to see CGI renderings of entire movies
now. The technology has progressed incredibly since the days of Star
Wars. The artists and creators have really gotten static features like
buildings and environments down. They appear ‘realistic’ even in a
complete fantasy environment. Not so good on modeling people or animals.
The complexities of movement in natural animals, to include humans, is
so hard to replicate, even in this advanced age of graphic design, the
features don’t appear correct or lifelike. This is exactly the case with
Beowulf. At times the movie appears more like Shrek – in which a
cartoonish feel to the graphics and characters is expected – than a
fantasy rendering of realistic characters. I have to say, some of the
newer video games, particularly on console, have captured better
modeling of humans and animals than Beowulf did.

Even in its computer animated form, Beowulf goes a bit heavy on the
gore. Lots of dismemberments and eviscerations that were over the top.
Some of the scenes specifically cut away from the gory inevitable
results of cutting, chopping, and fighting, but others were presented in
full view, with blood and guts galore.
I am sure many male viewers are eager to see Angelina Jolie naked, if
even in animated form. The rendering of her model was quite beautiful,
but without any real detail. It was strange and almost ridiculous of the
art director to give the demoness high-heels, formed by some sort of
long dewclaw.

Also irritating is a prolonged battle scene between Beowulf and Grendle
in which the hero has decided to fight the monster… naked. As in many
PG-rated movies, there are scene props, used numerous times, to cover
(thankfully) Beowulf’s crotch. It seemed almost a running joke as the
scene went along, how much of a point was made to keep Beowulf modest.
The voice-over work was good, with character work done by Jolie, Anthony
Hopkins, and John Malkovich. The lead was voiced by Ray Winstone, a
British character actor. His voice work was respectable, although the
hero’s proclamation – “I… AM… BEOWULF!” seems a bit overdone and an
imitation of King Leonidas in 300.
Overall, the legend/story is a good one. The graphics of scenery and
environments are beautiful and impressive. Even with the flaws in the
animated renderings of the characters, it makes for an interesting
presentation as a movie. I can’t help but think that perhaps the movie
would have been better as a live-action film rather than animated. It is
certainly worth a look on the big screen, and as of this writing is
still showing on IMAX (which would make the movie more impressive). When
it makes its release on DVD, it’ll be a good feature to catch.
-AP
DEC07
References-
Pictures and official movie website:
Paramount Pictures
www.beowulfmovie.com
Snapshot Review
11/11/07
American
Gangster
Rated R, 2 hr. 40 min
In Theaters
A Guest Review by
John P, 61
Sr. Executive

American Gangster
No surprises here. In this mangled rewrite of the
'Scarface' series, it is readily apparent that too many cooks spoil the
broth. From a slow start we have the opportunity to watch Denzel
Washington and Russell Crowe crawl across the stage to the final
credits.
While touted as a true story of a black gangster rising to power, it
falls flat on execution. The saving grace that slightly justifies the
cost of admission is the supporting cast. Cuba Gooding and Joe Morton
are excellent and the cameo by Ruby Dee are worthy of mention for the
awards in February. The story itself and the action scenes are for the
most part forgettable.
The recommendation here is that you rent either of the previous 'Scarface'
movies. The original with Paul Muni is a film noir classic and the
remake with Al Pacino set the bar so high, this film doesn't even
register on the Alpha Scale.
I tried to say something good about it but the concept evaded me
totally. You can look at the ads for this one. Denzel got a $20 million
check to do the movie. The original plan failed and when they restarted
he got another $20 Million [Note- American Gangster was originally
scheduled to be produced in 2004, with Washington in the lead role,
along with Benicio Del Toro; production and directorial problems caused
the initial failure of the project- Ed.]. I felt like yelling at
the screen. When you go to a ball game and one of those overpaid
underachievers doesn't try to make the base or catch the ball the
operative comment is 'bet you you'd have caught it before you got the
contract!'
-JP
9 NOV
Reference-
Promotional poster and official movie website:
Universal Studios
http://www.americangangster.net/
Snapshot Review
11/09/07
The
Kingdom
Rated R, 1 hr. 50 min
In Theaters
A Guest Review by
John P, 61
Sr. Executive

The Kingdom
The
Kingdom- The story line is built on a real life incident in the
recent past involving a terrorist bombing in Riyadh, Saudi Arabia. The
target of the attack was one of the civilian conclaves for foreign
workers, most of whom were US Citizens. Subsequent to the attack on US
citizens, a special FBI unit is immediately sent to Saudi Arabia to
investigate the bombing. The suspicions, resistance and political issues
that surround these types of events are the theme for the story line.
Given all the acrimony in foreign affairs and sovereignty, the reality
comes forth when Law Enforcement professionals from both countries
realize that they are all on the same side in this war.

The action is pretty much nonstop and the only
recommendation I can give is to fasten your seatbelt and hang on to the
bar. This is not a movie for the squeamish nor those of liberal
leanings; rather it takes a hard look of the realities of the warrior
and how to directly deal with Jihad. The separation of the good guys
from the bad takes some time to become clear in the movie, but when it
ends, the final lines make an unforgettable statement. It will leave
your heart pounding.
How the solutions unfold and the fair characterization of
the terrorists make this more than just another action movie. The
casting was brilliant, as the players all bring their own brand of
talent to their roles. Definitely a must see.
-JP
9 NOV
References-
Pictures and official movie website:
Universal Studios
http://www.thekingdommovie.com/
Short Review
10/13/07
The Game
Plan
Rated PG, 1 hr. 50 min
In Theaters/New Release
☆☆☆☆/☆

The Game Plan
The
Rock- From college football standout, to professional wrestling bad
boy, to action-movie star, to dramatic actor, to comedic lead. Whew.
Everybody knows who The Rock is (AKA Dwayne Johnson). What you may
not know is that he has starred in movies that altogether have grossed
$360 million. With his mega-watt smile and impressive physique - and now
comedic talent - The
Rock's overall profitability was seen again in the opening weeks of his
latest flick- The Game Plan. As of this writing, it has grossed $50
million.
The
Game Plan- The light-comedy's plot is simple: egocentric pro
football quarterback has a life-changing development dropped into his
superstar life- he has a seven-year old daughter he never knew about.
The comedy comes in as tough-guy, self-involved jock has to evolve into
caring, selfless, and responsible Dad.
For the viewing and subsequent review of this movie, Dad
wasn't able to make it to the theater. However, the junior
reviewers took Mom to the picture for her birthday. Thus we'll get
Mom's take on the flick, and add in the eight and 12 year-old opinions.
Mom
(43)- The Game Plan was pretty much the perfect family movie-
entertaining enough for a mom and the two boys. It was very
enjoyable, and managed to build in some good moral lessons in a fun
family comedy. The Dad (The Rock- playing Joe Kingman, a
professional quarterback who is the star of the league) starts out as the selfish and
egotistical athlete, and grows into a loving father. You get the
whole 'teamwork' lesson as well as the rewards of being unselfish.
A very wholesome movie for the whole family, regardless of age or gender,
to enjoy together.
Junior Reviewers- H., age 8- It was a good action movie.
I liked the football hits a lot. The movie was very funny. I liked
two parts- when Peyton (The Rock's daughter in the movie) made a great
big bubble-bath, and The Rock thought she was in there under all the
bubbles, so he jumps in, but she's not in the bathtub; and when Peyton keeps telling the football player over and over that he shouldn't
say 'stupid,' because it's a mean word, and then when the guy on another
team tells him he's stupid, he says 'Don't say that! Stupid is
a mean word.' The best part was when The Rock threw a pass at the
end to the guy he never throws to. [Ed.-
Regardless that I described the Alpha Dad rating
scheme to H twice - give it a rating of one to five stars... - ] H. said
it was great, very funny, and he gave it 5-1/2 stars. [Ha! -Ed.]
L., age 12- I liked it very much. It was a good
birthday for Mom, and both me and H. liked it, so that was fun. But
Dad would have liked it, too. I liked The Rock in it. It was
a good movie for him. He starts out as a scary dude, but ends up
as the gentle giant. The action was kind of slow in the beginning,
but it got intense at the end. The graphics were really good - when Joe
(The Rock) gets hit really hard, you can see the spit come out of his
mouth. That was my favorite part of the movie, too- when he got
hit so hard he dislocated his shoulder and broke his ribs, and spit flew
out of his mouth. The funniest part was the squirt gun scene, and
The Rock scares everyone off. It was a good movie for the whole
family. I give it 4-1/2 stars.
So, there you have it. Mom thought it was great,
the boys thought it was great, and overall it was an entertaining, funny
movie with some good action. A good movie to take the whole family
to.
-AP
Oct 07
References-
Pictures and official movie website:
Disney Corporation
http://disney.go.com/disneypictures/gameplan/
Feature Review- Something Different
10/15/07
District
B13
Rated R,
1 hr. 25 min.
On cable and DVD
☆☆☆☆

District B13
It’s
probably a movie that you’ve never heard of, and it’s already three
years old, but it is one of the best action movies I’ve ever seen.
A little
background here: The movie, District B13, was written and produced by
the French director Luc Besson. Besson was the director (as well as
producer) of some exceptional intense action thrillers- of note are The
Professional, starring Jean Reno; and La Femme Nikita (which reappeared
in an awful and watered-down American remake - Point of No Return).
Besson also produced the straight action movies- both Transporter
installments (starring Jason Statham), and the Jet Li flicks Unleashed
and Kiss of the Dragon. Also in his extensive filmography are the
anomalous titles (as director) Arthur and the Invisibles (see review
here), The Messenger: The Story
of Joan of Arc, and The Fifth Element (a sci-fi action movie starring
Bruce Willis, Chris Tucker, and Milla Jovovich).
As
I watched B13, and found it to be such an excellent action movie, with a
plot and characters that were actually believable, it had been a mystery
to me on how it could be such a good film. When I did a bit of research
on the feature; to find Besson the writer and producer made the
explanation a bit simpler.
District B13
The
snapshot plot for the movie- well, I won’t take a hand at describing it
any better than the official movie description:
“In the
near future, the worst ghettos of Paris, France are lit erally
walled off and among the worst is District B13. Controlled by the
ruthless crime lord, Taha, a young righteous punk named Leito
to is determined to bring him down. When the boss retaliates by
kidnapping his sister, Lola, a rescue attempt by Leito is destroyed by
betrayal that gets him arrested and Lola kept in the clutches of Taha.
Six months later, a crackerjack undercover cop named Damien is given a
urgent mission: a neutron bomb has been stolen by Taha in District B13
which has an automatic timer function engaged and set to detonate in
less than 24 hours. Now with time running out, Damien and Leito
to must work together to find and stop the bomb, but there is far
more to this crisis than any of the field players realize.” (Magnolia
Pictures)
If all
that sounds a bit much, it works. Really.
The only
feature that may put off this readership is that the movie is in…
French. Stop. Wait- It’s a great movie. Honestly. The movie dialogue
is in French with English subtitles. But it’s a great
action
movie (not terribly overblown like some American flicks; see- Shoot ‘Em
Up), and the plot actually holds up over the course of the picture. A
note on the action- have you ever seen the clips online of guys climbing
buildings with nothing but their bare hands, jumping from rooftop to
rooftop, or making their way down and across stairways, crossing short
walls, etc? Some of the clips are directly from this movie, and some of
the other videos you’ve seen on the net are the same guys (Cyril
Rafaelli as CPT Damien Tomaso and David Belle as Leito in the movie).

For a
great description of the stunt styling and form used in the movie, look
up ‘Parkour’ on Wikipedia (www.wikipedia.com
); it gives a cool explanation and pix on the subject. It’s an entire
form of urban gymnastics and superhuman moves. The actor David Belle is
the ostensible creator of this style.
Give this
great movie a try. Sure, it’s French, and it’s subtitled, but again- it
has a good storyline, the action is great, the stunts are incredible.
And the overall movie isn’t a caricature (as many American action movies
have become; again- see Shoot ‘Em Up review).
The movie
is now playing on Showtime, and is also available through Netflix, or
online from Amazon.
I'm
interested to hear reader feedback after sitting for this movie. If I
was wrong about it, feel free to tell me. If it was great, lend your
opinion supporting the flick.
-AP
Oct 07
Reference-
Promo material and screen shots- Magnolia Pictures
http://www.magpictures.com/default.aspx
Feature Review
9/27/07
Shoot 'Em Up
Rated R,
1 hr. 27 min.
In Theaters
☆☆

Shoot 'Em Up


Quick Take- Just like the name says- shoot 'em up. Heavy on
the realistic gun violence, particularly shot-kills. I tried to
keep an approximate tally, but the body-count was at least over 100.
Wave after wave of human bullet-catchers direly attempt to terminate
Mr. Smith (Owen), who was apparently a super agent in a previous life. The
movie has a pretty good soundtrack
(metal-oriented, with a driving progressive / alternative hard rock
sound). Storyline
(according to New Line Cinema) at right.
One-sentence description
of the movie-
ultra-violent and terribly implausible.
Shoot 'Em Up
The
production company left out a few important notes on story description-
in particular a plot that would ostensibly be workable. Big problem- there are
so many gun-deaths and thousands of rounds expended (to the extent that
the viewer is exhausted by film's end) you kind of forget about the need
for a story.
I'll
try to take it slow, and keep it as short as I can here:
Very
first scene of the movie is Mr. Smith eating a carrot, sitting on the
bench at a filthy bus-stop. Nutty opener, but that's what runs
first. The carrot accoutrement is important, but more on that
later. A minute or so following the opening scene, Smith has a pregnant woman
run past him at the bus-stop, and she's subsequently pursued by
a thug. Smith hesitates to get involved. His conscience gets the
better of him, and he follows the pair into a deserted warehouse. This
is about where the shooting
starts, and seemingly doesn't end until the last scene of the movie. He kills
all the bad-guys pursuing the expectant mom (at this point he has no
idea why she's fleeing), as the single creep turns into a gaggle of
hired attackers on the woman's trail. All this excitement apparently induces lab or.
In the middle of the (first) warehouse gun battle, Smith helps her deliver the baby.
This is the beginning of the weird and insane part(s) (more on that
in a moment). As this primary shootout wraps up, the
post-partum mother is killed by a not-so-stray bullet, and Smith is stuck with the baby. And his
conscience.
As Mr.
Smith keeps being followed even after escaping with the newborn, we
start to realize the baby is core to the story. Just stick with
New Line's story description, as it's the only thing that will keep the
story's denouement cohesive
enough to understand.
Enter
Giamatti, an Academy Award Nominee, as the lead henchman for this insane, if amateurish, legion of hit-men churning their way through the
flick. Giamatti has been hired to find the woman, terminate her,
and retrieve the baby. In the movie Giamatti's character describes his
profession
as a former Forensic Behavior Specialist Consultant for the FBI
(he is repugnant to the description 'profiler'). Giamatti's
characterization of the heavy in the movie is a strange one- alike to the
mad evil scientist in some pictures. Oh, and he has a penchant for
necrophilia, fondling the dead mother's breast prior to disposing of her
body.
I
won't go too much farther in description of story and introduction of
the script-line or the characters. The only other significant character
of substance in the movie is Monica Berlucci, playing a 'specialty' prostitute
dragged into the plot by Mr. Smith. Her servic es, owing to her
specialty- lactation- are needed to
breast-feed the baby subsequent to the mother's death. Berlucci's
Italian dialogue and attendant Italian accent in is insipid in English and
intrusive in Italian. Her sole saving grace is her beauty and
figure on screen.
If the
carrot chomping and wet-nurse prostitute weren't enough, the collection
of assassins, thugs, and general criminal types sent to find the pregnant woman, and,
subsequently Mr. Smith and his newfound nanny for the baby, were all
creepy, crusty characters, dressed fully in black, with black leather
jackets. Every one of them. Imagine- Keystone cops, and the
criminal in question wearing a black knit cap, black eye bandana, with
five-o'clock-shadow- that's the bad guys in the movie. We end up
suffering the gratuitous love scene between the female and male leads;
their intercourse (thankfully, I think) interrupted by another shootout. Virtually the only neat prop in
the entire work is Giamatti's 1964 all-black Lincoln Continental with
suicide doors (remember Animal House?).
Here
is a sampling of the crazy, totally out-there parts of the movie.
Okay, I'll say this once so I don't end up repeating myself- I am
not kidding when I say:
- Apparently not only is Mr. Smith a
big fan of the orange vegetable, of course we get two gory kills by
carrot, with the carrot as the weapon inflicting death (in bloody,
close-up framing).
- The newborn baby gets his umbilical cord cut by (an intentional) gunshot
(who comes up with this stuff?).
- Mr. Smith comes up with the ideal safehouse for stashing away the
pursued child and prostitute-nanny. He hides Berlucci and baby, and I
have to got say it again- I'm not kidding- in a displayed army tank housed in a
military history museum full of people.
- Terrible, terrible one-liners throughout the movie. (sigh) Yes,
we get the 'what's up doc?' (carrots, remember?). The only line I
found humorous in 90 minutes of blood-spattered violence: Giamatti's
exclamation after having another 50 of his hired incompetents wiped out-
"Do we really suck that bad, or is this guy really that good!?"
- Smith setting up a complex trap- a 'fly-by-wire'-controlled shooting
gallery comprised of about 20 weapons, from handguns, to submachine guns,
to shotguns. He gets the whole multi-weapon contraption together
in about 10 minutes, all under the noses of a gun warehouse full of
guards and bad guys.
I could go on and on with the list of crazy S in the movie, but I won't
bore you.
Technical and graphics: The cinematic style was pretty simple, with
nothing out of the ordinary. Stunts were awful and overdone (think Asian
kung fu movies, with people flying through the air, spinning and
chopping superhumanly; same thing in Shoot 'Em Up, only with guns).
At least in Jackie Chan movies, the fight choreography is excellent, and
I know Chan is doing his own stunts, because you get to see him cracked
in the head, the crotch, pretty much all over his body, in outtakes at
the end of his flicks. Shoot 'Em Up displayed no adherence to this level
of realism or craft. Lastly, the CGI
graphics overlaid in the filmed backgrounds were awful (a baby's CGI
head being stuck in the scenes, looking fake and kind of creepy).
Here's what I think happened- New Line got a
(decent) script, probably written as a
dramatic action-thriller, like The Bourne Supremacy, signed on some good
actors (Owen and Giamatti), and then turned the film over to a director
that wanted to be the next Quentin Tarantino (director Michael Davis).
What they ended up with is an overblown, steroid-injected,
testosterone-fueled, blood-and-gun frenzy. With carrot-killing.
I was
going to say- completely pass on this movie. But then I got to
thinking about it- no, you have to see it.
Don't watch it with your love interest (she would never let you pick
the movie again).
Don't watch it with your kids (you'd be guilty of child-abuse).
Save
it for a guy's night with your pals. Get the guy in your circle of
friends with the biggest TV to host, or invite everybody to your house
(after reading this review). Grab a few beers, if that's your
thing, or just the chips and dip. Then sit with the guys and watch
this insane thing. You probably won't like it, you'll probably
find the story a snore; the violence will likely seem overdone to you.
But at least you'll get to see what I meant when I said (over and over)
"I'm not kidding!"
Note-
as of this writing, Shoot 'Em Up is still in theaters. It will likely
not last there long. If you miss it on the screen, I'm sure
it will go to DVD in short order. Then you can torture
yourself and your friends with it.
-AP
Sep 07
Reference-
All pictures and official Shoot 'Em Up Website:
New Line Cinema
http://www.shootemupmovie.com/
Feature- Something Different
10/07/07
An Article on The Samurai Western
and
The Works of Akira Kurosawa
Snapshot Summary in Manly Arts


Feature Review
9/20/07
Transformers
Rated
PG-13, 2 hr. 23 min.
DVD
Release- 16 Oct
☆☆☆☆☆

Transformers
If
you
haven’t seen Transformers, you (and your
kids) missed the blockbuster of the summer.
With a production budget of $150 million, the movie has earned
just shy of $700 million worldwide, with good reason. By
comparison, Spider-Man 3 was produced for a whopping $300 million
and in my opinion (and that of my two sons), was pretty boring and
unimpressive (although it has earned about $900 million).
A short history and storyline: Transformers first aired as a TV
cartoon in 1984. The graphics were about what you would expect for that
era. The concept actually made it to the screen a first time in
1987, in an
animated version. The general storyline of the franchise is an
epic struggle of an advanced alien race of
creatures, in two groups,
good and bad, with earth as their battleground after losing their home
planet. The creatures are capable of replicating any mechanical
structure they come in contact with. The two groups are the
Autobots (good) and Decepticons (bad), with their respective leaders Optimus Prime and Megatron. The human race is protected by the Autobots
in this overarching battle of good vs. evil, while the Decepticons are
callous to the residents of our planet. (If you need a better
explanation of who or what the Transformers are, you can likely get an
adequate explanation from the nearest six-year-old).
If all this sounds a bit
corny or uninteresting, you clearly have not seen the movie. The
original concept was refreshed and injected with incredible modern-day graphics, a superior screenplay and an enjoyable feature storyline. The CGI
graphics blend exceptionally well with the filmed environments; the
characters, both human and Transformers, are plausible, filled with
humor and emotion, and well-executed in the work. On the graphics-
absolutely phenomenal; truly one of the best screen renditions of
CGI/fantasy characters ever made.
Of interest for Dad is
the movie showcasing (in the form of an Autobot) the coming Chevrolet
Camaro, with a projected 400 horsepower. The car/character
are presented in brilliant yellow, with the Autobot figuring largely in
the storyline, giving ample scenes to appreciate the car. Also featured
is a Decepticon made up of the Saleen Mustang, presented in a police
cruiser (with the witty alteration of the emblem motto ‘To Protect and
Serve’ of many departments, being transmogrified into ‘To Punish and
Enslave’). (For more information on these two serious hotrod
machines-
http://www.chevrolet.com/performance/ , www.saleen.com)
The overall moral lesson
of the movie is a great one for children, with the battle of good vs.
evil, cloaked in a movie feature with excitement, action, and great
graphics. The Autobots work together, along with their human allies to
achieve their objective, with protection of the weak throughout the
movie. As much as we would like to find our children interested in the
moral stories of our generation, this is a depiction that is
exceptionally appealing to kids today.
I can't recommend this
movie highly enough- for entertainment value, graphics, and moral
lessons contained. If you watch the movie (with your
children), even if you find the story tedious or not your typical movie
fare, your kids should enjoy it immensely. It should also provide
the opportunity to make teaching points, and discussion of greater
principals (good vs. evil, teamwork, protecting others, etc). I
hope you take the opportunity to give the movie a shot.
A special bonus-
Transformers is showing in IMAX, for a limited run. This movie is
highly recommended when it makes DVD release, but if you have a chance
to catch it in IMAX, I think it would be even that more impressive and
exceptional. (Transformers
IMAX)
Caveat- extreme
intensity of the movie and action, as well as occasional coarse language
and mildly mature content, may make the movie too much for young
children. Additionally, there is a scene late in the movie that shows
the death of one of the Autobots (no gore, but strong scene), which some
children may find upsetting. With a family viewing of the movie, it
should be acceptable for children 6-8+.
BTW- as is common with
many movies today, the franchise has made a great new game (platforms-
PS2, Xbox 360, PSP), using storyline and characters from the movie. It
is a fast-paced and action-filled 3rd person title, with
great graphics. It got two thumbs up from the junior reviewers (boys,
age 8 and 12) in the family. Dad found it pretty cool, too.
(AD Review).
-AP
Sep 07
Reference-
All pictures, and official Transformers website
Dreamworks LLC and Paramount Pictures
http://www.transformersmovie.com/
Actor Profile
9/23/07

Ryan Reynolds
I thought
I would bring to your attention a great young actor whose work I enjoy.
I hope you'll give some of his movies a look, as most of them are
pretty entertaining. You can find more extensive bios and even fan
sites on Reynolds, but I wanted to give you the Alpha Dad view of his
movies. And the pictures that I posted here are as unassuming as I
could find- if you look on any of the fan sites, the pix are apparently
for a far younger (and female or gay) set; lots of shirtless buff images
(sadly reminding me of my age).
In short,
from first seeing Reynolds in the campy National Lampoon's Van Wilder, I
liked his comedy work. After a few following roles that weren't too
noteworthy, Reynolds then completely switched gears as a vampire hunter
in the the third installment of the Blade series, Blade Trinity.
His role in Trinity was as a serious hard dude, but he retained his
smart-ass sarcasm.
Returning
to his comedic side, Reynolds then starred in the straight-to-DVD title,
Waiting. If you haven't been moved to catch this flick after
seeing it on the shelf in the movie store, give it a try. Reynolds
is exceptional as a quirky, sage young server in a Chili's-type
restaurant, whose staff is full of weird and funny characters.
This movie is hilarious, but be advised- if you watch it, you may not want
to eat out for a while. In the same year (2005), Reynolds was
again the comedic lead in the entertaining Just Friends, as a lovesick
big-time music producer, returning to his hometown, in the hopes of
appearing the conquering hero. He was depicted as a severely overweight
child, who had worked himself into a debonair, slim Hollywood mover and
shaker. This movie is a pretty safe choice as a 'date movie.'
Reynolds
came back in his next movie as the lead role in the 2005 flick, a remake
of The
Amityville Horror. Much more serious stuff, with the movie showing
off Reynolds' character intensity, as well as the obvious efforts in his
physical conditioning. Smokin' Aces (snapshot review below), the latest
movie of note in his filmography, has Reynolds in a more serious role,
co-starring with a group of storied and able actors (Ray Liotta, Andy
Garcia, Jeremy Piven). There has been conjecture on Reynolds
playing the Flash, or perhaps even Sub-Mariner in the rumored screen adaptation
of DC Comics superhero characters.
A serious
fitness buff, Reynolds was the cover model of Men's Health UK edition in
2006. His dedication to training and diet is apparent in his film
persona and physical stature. He made controversial statements
(and was featured on the cover) in the gay community magazine, The Advocate.
I'm not sure how this affected his standing in Hollywood or with his
fans.
Reynolds
is a very able actor- his serious film work and sarcastic
comedic talent bear a look. I hope you find his movies as
entertaining as I do.
-AP
Sep 07
Perspectives: the reviewing staff for these movies are:
Dad (adult and kid movies), age 42, with
significant input from the junior reviewers, the two sons (on the kid
movies), ages 8 & 12.
Alpha Dad Rating of Movie is
☆-☆☆☆☆☆
Adult and Young
Adult Movies
|
Movie |
Rated |
Genre |
Review |
|
Shoot 'Em Up
☆☆ |
R |
Comedy |
See feature review |
|
Super Bad
☆☆☆☆ |
R |
Comedy |
A comedy
presented in a teen-oriented vehicle, although rated R. This is
honestly one of the funniest movies I have ever scene. It shows
the angst and difficulties of the high school years (intense
sexual desires, being cool, beer busts, dealing with bullies,
etc). The screenplay is exceptionally well-written with no drag
throughout the movie, and laughs all the way along. The
characters are likable, and probably resemble people you knew in
high school. An absolute must-see if you want a funny, light,
albeit juvenile comedy. Warning- NOT acceptable for children
under 17 or so. |
|
300
☆☆☆☆☆ |
R |
Action |
A (mostly) true piece of
history (the battle of Thermopylae) in an incredible
graphics-rich feature. Interesting evolution of events to
depiction on the screen: a battle in history, made into a
graphic novel, made into a movie. The fact that the screen
rendition was fashioned after the graphic novel is important in watching
the movie, as the color tones and somewhat fantastic elements of
the novel are present in the movie. Incredible
graphics, great action, although a bit heavy on the gore, and
strong story point (the fight against tyranny), make it
enormously enjoyable. Probably not a date movie, nor for the faint of
heart, but a fantastic movie. Not your dad’s view of history,
but something you have to see. I watched the movie both in
the theater, and on widescreen TV, and nothing is lost in the transition.
Surround sound on the home theater is excellent. Be sure to
watch this one. |
|
Pathfinder
☆☆ |
R |
Action |
Another
fictionalization supposedly based on legend. The color tones in
the movie are close to grey-scale, almost creating a film noir.
Story is a bit weak, and action somewhat gory. Worth a watch as
an action movie, but don’t expect too much. |
|
Blades of Glory
☆☆ |
PG-13 |
Comedy |
Another Will
Ferrell vehicle, along with the kid who plays Napoleon
Dynamite. Some very funny spots throughout, but overall humor
is juvenile and campy. I’ve seen Will Ferrell’s bare torso
exposed in too many movies, to the extent that I can tell you
with certainty that he's had an appendectomy. Some great
one-liners and silliness. This is NOT a movie for kids, and I
disagree with the PG-13 rating. |
|
Shooter
☆☆☆☆☆ |
R |
Action |
Great
modernization of a persistent character in a number of books by
Stephen Hunter. I read all the books a few years ago, and the
movie stays true to the character, while updating the story
era. Mark Wahlberg is believable as a sniper after his military
service, and is paired with a very attractive female co-star.
Typical ‘our evil government’ conspiracy story, but countered by great
action (not heavy on the gore) and reasonable plausibility.
Should watch. |
|
Reno 911
☆ |
R |
Comedy |
Campy humor. A
continuation of the TV series. To be honest, the TV program is
better, and I think the money was ill-spent in moving
it to the big screen. If the producers made money on it, good
for them, but I felt it was an hour and a $5 rental essentially wasted.
If you want a mindless piece of somewhat amusing
material, this may be your Saturday night. |
|
Ghost Rider
☆☆ |
PG-13 |
Action |
Again, Hollywood
cracking the code on the popularity of comics and the various
imaginative characters of that genre. Pretty lame depiction of
the inception of the Ghost Rider character, and I am thoroughly
tired of seeing fake hair plastered over Nicolas Cage's
receding hairline. Special effects are a saving grace to the
film, but be advised- some of the biblical imagery of fire,
brimstone, demons and the devil may be too much for young
viewers. Best watched with parents to monitor and explain the
movie to children. Not advised for children under 10 or so. |
|
The Messengers
☆ |
R |
Scary |
A bland example
of yet another malicious spirits movie. Some of the special
effects are interesting, but not enough to carry the film. When
you run out of other things to watch and want a scary movie,
this may be it. |
|
The Number 23
☆☆ |
R |
Drama |
Jim Carey in an
(intended) intense dramatic thriller. It doesn't really
live up to this standard as a movie. Carey's character becomes obsessed with the
number 23 after receiving a book on his birthday, and the
prophetic and persistent nature of the number in his life.
Carey’s acting is decent in many genres, this one included, but the
movie and story are not carried by it. Saving catch of the
movie is a twist in the ending. |
|
Norbit
☆☆ |
PG-13 |
Comedy |
Typical Eddie
Murphy feature with Murphy playing multiple characters. Some good
laughs and adult-oriented humor. A reasonable comedy for
entertainment. I would NOT recommend for kids under 15 or so,
despite the PG-13 rating, owing to the sexually-oriented humor. |
|
Pan’s Labyrinth
☆☆ |
R |
Fantasy |
Stylistic
fantasy movie, with all dialogue in Spanish, English subtitles.
Unfortunately, it does not live up to its billing as an artistic
work. Quite the contrary; strong depictions of vicious acts
against people by the strong-arm government/military types are
shown a number of times.
Conflict and character groups apparently fashioned after the
Spanish Civil War, immediately preceding World War II. Fantasy
elements and effects do not do enough to support the film. |
|
The Fountain
☆☆ |
PG-13 |
Fantasy |
A story of
eternal love, spiritual rebirth, and the maturing of the soul
over many lifetimes. Special effects abound in ethereal
environments, and Hugh Jackman is reasonable in the lead. Color
scheme of the movie is a stylistic golden shade.
Interesting visually, but not enough to bring up the value of
the film significantly. |
|
Dragon Wars
☆ |
PG-13 |
Action |
Major point to
be made- my young movie reviewers loved the movie, owing almost
entirely to the featured dragons. However, to this adult
viewer it was quite tedious, and the special effects rather
amateurish, and not nearly on a par with other major releases
this year. The storyline was cumbersome in the beginning of the movie, as well as being terribly implausible.
This primer was overly complicated, but didn’t seem to bother
the two boy reviewers. Only novel twist is the use of a Korean
legend (as opposed to Japanese or Chinese) for the storyline.
Pass for adults, fun for the kids. |
|
Smokin' Aces
☆☆☆☆ |
R |
Action |
Exceptional
action/drama. Ryan Reynolds and Ray Liotta doing good
character work as
FBI agents; Jeremy Piven as the main anti-hero of the movie.
Annoying use of two females as paid assassins, one of which was
a sniper, using a .50 caliber Barrett as the weapon of choice
(come on!). Heavy on the realistic violence, blood, and death
from gunplay. Very stylistic in its camera use, hyper-sharp
picture quality, and monochromatic bent of the visual tones. A
bit disappointing in the end plot ‘twist.’ Well worth a watch
on a weekend night. |
|
Lucky Number Slevin
☆☆☆ |
R |
Action |
Early release,
late distribution on DVD. Decent feature with Bruce
Willis playing a somber hit-man with a grain of goodness in
him. Cool performances as opposing crime bosses by Morgan
Freeman and Ben Kingsley. Lucy Liu attractive as the female
foil. Dramatic enough to watch as a home date movie. |
|
Little Miss
Sunshine
☆ |
R |
Comedy |
Awful. Terrible
characters, lame acting, terrible storyline. Laughs are short,
tedium is long. Pass. |
|
Talladega Nights
☆☆ |
PG-13 |
Comedy |
Will Ferrell
again, this time as a good old boy NASCAR driver. Sacha Baron Cohen;
(perhaps better known to you as the
character Borat, or maybe even Ali G) gives a funny,
over-the-top performance of a gay, French racer, converted from
European Formula One to shame the Americans at their own game. Some great one liners by
Ferrell (ex.: "Dear Lord Baby Jesus, I want to
thank you for this wonderful meal, my two beautiful sons, Walker
and Texas Ranger, and my red-hot smokin' wife, Carley."), but
not sufficient to carry the movie. Sad Will Ferrell movie.
Coarse language and adult material make the movie inadvisable
for kids under 13 or so. |
|
Idiocracy
☆☆ |
R |
Comedy |
Storyline- guy
put in cryogenic sleep/suspended animation awakens to find the
world completely dumbed down, in a state of (post) abysmal
decline, and corporate interests running everything. A real
snore of a movie. However, worth watching for the descent of
popular culture, paralleling (in a sad, realistic way) the fall
of western society. You will likely find yourself dismayed by
the analogy if you decide to watch the movie. |
Kids’ Movies
|
Movie |
Rated |
Genre |
Review |
|
The Game
Plan
☆☆☆☆/☆ |
PG |
Kids
and Family |
See feature review. |
|
Transformers
☆☆☆☆☆ |
PG-13 |
Kids |
See feature review. |
|
Harry Potter-
Order of the Phoenix
☆☆ |
PG-13 |
Kids |
Even the boy
reviewers found this latest installment of the series a bit
boring and confusing. I have never read the books, but I can’t
help but think that they're likely better than the movies. The
special effects are not too special, and do not substantially
improve the movie. |
|
Pirates of the Caribbean-
At World’s End
☆☆☆ |
PG-13 |
Kids |
Again, a decline
of a series, with the quality worsening in the third episode.
Johnny Depp is weirder, but not better. Story turns make the
film worse. Keira Knightley is nice to look at, and probably the
best part of the movie for this readership. A decent family
movie to watch with the kids. |
|
Cars
☆☆☆☆ |
G |
Kids |
Great G-rated
fun in an animated movie for the kids. Decent moral point to
the flick, but probably goes over the heads of the primary
target audience (kids under 10). A good movie to watch on
family night. |
|
Spider-Man 3
☆☆ |
PG-13 |
Action |
Zzzzz. The
franchise worsens. The special effects have
not improved, despite the enormous 300 million dollar budget.
As far as kid-oriented action movies are concerned, the bad guys
are less intimidating and spectacular, and thus of less interest
to an increasingly sophisticated, discriminating young viewership. The kid
reviewers liked this movie, but even they said it
was not as good as Spider-Man 2. ‘Nuff said. |
|
Fantastic 4- Rise of the Silver Surfer
☆☆ |
PG-13 |
Action |
Lame-o.
Terrible overall. They took one of the longest running and
successful comic franchises, and made first one crappy movie;
this is a second. I didn’t like it, my young reviewing staff
didn’t like it too much either. Lackluster special effects,
tedious characters. Saving grace- the incorporation of the
Silver Surfer to boost the movie. You may not have noticed the
movie marquees and marketing points, but the Silver Surfer
figured larger than the '4' in the promotion, as well as the
official static display for the movie. Depiction of the Surfer
was pretty good, and it was great to have discussion with the
boys over one of my favorite comic characters. Worth a watch
for the Silver Surfer, but expect a lot of smarmy, boring dead
space until his role is highlighted. |
|
Arthur and the Invisibles
☆☆☆ |
PG |
Kids |
Great kids’
movie. Nice graphics and colors. I thought a G rating would
have been appropriate. Big moral point- the little boy
honoring the obligation to save the fantasy creatures living in his
yard. Good family movie to watch together. |
|
The Last Mimzy
☆☆☆ |
PG |
Kids |
Very nice movie,
and interesting for the kids. Highly
recommended, despite a lack of sophisticated special effects. |
|
Bridge to Terabithia
☆ |
PG-13 |
Kids |
Pass. A movie
based on a book (which I haven’t read). I'll be the spoiler
in my negative review of the movie- there is significant
character development, and the interaction between the lead boy
and girl roles as friends. Despite its attempt to fool
watchers into thinking it was a special effects and CGI-
intensive movie, this was perhaps 5-10% of the picture. Parents should be aware
that (here's the spoiler) the young girl in the movie
dies. And the young boy lead is devastated by the
loss. Precarious material for a young audience. Be
sure to watch it with your kids, and be prepared to explain the
concepts of death, guilt, and grief. |
|
Surf’s Up
☆☆☆ |
PG-13 |
Kids |
Yes, another
penguin movie (sigh). But it was actually quite good.
Storyline is essentially unnecessary in (good) kid movies. The
characters were funny and likeable, and the total CGI rendering
was done very well. Great movie for kids of virtually any
age. |
|
Superman Returns
☆ |
PG-13 |
Kids |
Now on pay cable
premium channels and DVD. Skip it, unless the kids really want
to see it. Terrible choice for the lead in the role of
Superman, and even the addition of Kevin Spacey as Lex Luthor
does not bring this movie up to watchability. Pass unless
it's the resolute pick (by the kids) at the video store. |
| |
|
|
|
|
All-time
Favorites (more to be added)
|
Movie |
Rated |
Genre |
Review |
|
Major Payne
☆☆☆☆☆ |
PG-13 |
Comedy |
My all-time
favorite movie for dad and son viewing; we've
watched it together ten times or more. Damon Wayans
absolutely captures the role as an over-the-top Marine Corps
drill sergeant stuck at a private school, chartered to boost
the junior ROTC program. Exceedingly humorous,
fall-out-of-the-chair hilarity throughout. An absolute must-see
comedy. You and your kids will find yourselves repeating tag
lines from the movie (you’ll see- he-he-he-he). Caveat- some
crass language at times, but worth it in watching with the kids
(8+ years). |
|
Over the Hedge
☆☆☆☆ |
PG |
Kids |
Good, clean fun
in an animated feature. Enough humor and supporting story line
to keep parents interested. Most exceptional scene- when the
hyper, fast-talking squirrel in the group of friends is finally
permitted to drink a highly caffeinated power drink, and
seemingly stops time with the subsequent result. It
sounds off-the-wall, but the scene is hilarious and makes the
whole movie worthwhile. |
|
Monty Python- The Holy Grail
☆☆☆☆ |
PG |
Comedy |
A great classic
from the Monty Python line. Believe it or not, this is an
all-time favorite of my two sons. I didn’t realize this well
enough until, while watching it together, my youngest son echoed
the lines as they were spoken in the movie- “… your mother was a
hamster, and your father smells of elderberries!” |
| |
|
|
|
|
|
Series
|
Series |
Rated |
Genre |
Review |
|
Entourage
☆☆☆ |
TV-MA |
Drama/Adult Comedy |
Target audience
probably a bit younger than this readership. Good young adult
humor at times, infrequent nudity, some drug usage. Storyline-
a group of friends, all part of the ‘posse’ of a young,
successful movie actor, living their trials and tribulations in
Hollywood. Worth watching, but it drags at times, and the humor
is directed at other age group/interests. Not suitable for kids
under 17. |
|
Californication
☆☆☆☆ |
TV-MA |
Drama/Adult Comedy |
New program.
David Duchovny and Natascha McElhone star. General storyline- a
quirky washed-up Hollywood writer, trying to find his way back
to being a ‘good’ writer, and motivated person. His pursuit of
maturity and becoming grounded consists largely of having sex
with numerous attractive women. Typical ex-wife and smart-ass
kid in the storyline. Frequent nudity. Humor and irony
is exceptional. Very well worth watching. Not suitable for
kids under 17. |
|
The Sopranos
☆☆☆ |
TV-MA |
Drama |
Almost everyone
has seen the series; if you haven't, it's worth catching a few
episodes. However, the
series has lost its drive in the final season. All seasons
are available on DVD, so it's a good serial to watch for
entertainment through downtime, to enjoy the thread of
the interconnected story lines. Not suitable for kids
under 17. |
|
Rome
☆☆☆☆☆ |
TV-MA |
Drama/Action |
Exceptional
fictionalization about the heyday of pre-Christian Rome. Very
well written, with good performance and depiction of
significant characters in Roman history. Frequent nudity and
extreme violence at times. Very much worth watching.
Despite the historical value, not suitable for kids under 17. |
|
Curb Your Enthusiasm
☆☆ |
TV-MA |
Comedy |
Very dry humor
about a crotchety comedian/writer living in Hollywood, with
Larry David, the former
lead writer of Seinfeld, both writing and starring. Irony, sarcasm, and general
misanthropy abound. Well written at times; extemporaneous humor
ok. Worth a watch if you like dry, sarcastic humor.
Not suitable for kids under 17. |
|
Weeds
☆ |
TV-MA |
Comedy |
A serial about a
drug-dealing family in American suburbia. Obvious overall
content about drug dealing, drug use, adult humor, adultery,
etc. Sometimes well-written and mildly humorous. Overall- skip
it. NOT suitable for kids under 17. |
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End Content |
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Reviews coming
Soon
|
Movie |
Rated |
Genre |
Review |
|
The Last Kiss
☆☆☆ |
PG-13 |
Comedy |
Pending |
|
The DaVinci Code |
PG-13 |
Drama |
Pending |
|
The Omen |
R |
Horror |
Pending |
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