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Feature Review

12/19/07

I Am Legend

Rated PG-13, 1 hr. 40 min.
In Theaters and IMAX

☆☆☆☆

 I Am Legend

Part horror story, part human drama, I Am Legend makes for a superbly entertaining movie.

The flick is based on a novel by Richard Matheson, written in 1954, with an original setting of 1976.  This is the third evolution and update of the story on the big screen.  The first two representations were The Last Man on Earth (1964), with Vincent Price; and The Omega Man (1971), starring Charlton Heston.  The modern version with Will Smith brings one of the most capable young actors of our time to the screen in a compelling personal story, as well as retaining the elements of an apocalyptic end to humanity.  With vampires.

The essential story is that humanity has been wiped out by a rapidly mutating virus. This subsequent devastation is a result of a heralded cure for cancer which mutated into a morbid plague, leaving the few survivors as subhuman cannibals.  Will Smith is Colonel Robert Neville, a military scientist who leads the vain attempts by the US government to stop the virus from spreading and affecting the entire country.  Neville is based in New York City, where the plague has initially been contained in the US, and the city is effectively quarantined by the military.  Neville is one of the infinitesimal number of people that are immune to the disease, and is eventually the last human survivor in NY. 

After two years of solitude, Neville’s sanity is slipping, and his only solace is in his dog Sam, and his work to find a cure for the virus.  Even though entirely alone in the city during the day, he must retreat to his fortress of a house by sunset, as the night is owned by the scores of remaining humans, all turned to vampires by the plague.  In his excursions across town during daylight – we are treated to Neville racing across the deserted silent city in a Mustang GT 500 – he fills his time mundanely, hunting for game that has begun to flourish in the urban environment, collecting from his Victory Garden, and changing out movies from the video store.  He is beginning to crack under the strain of loneliness and lack of human contact.  He begins to talk to the mannequins when he is in the movie store, and he rambles at times with his dog. 

Though this may sound trite in abstract, Neville's relationship with Sam is significant, as it is the last vestige of his previous life, as the dog was the family pet as puppy, before the catastrophe.  Neville has raised the dog as his only companion since the disaster.  Canines are immune to the airborne form of the rabies-like virus, but can be infected by direct transmission.  In this Neville is incredibly tense at all times for the safety of the dog.  This fact is compelling, for the viewer needs to become involved in empathy: imagine being the absolute last person on earth- no one to talk to, absolute loneliness and despair, compounded by the compulsion to find a solution or cure as savior to the remnants of the human race.  This brings the story to the more significant point of drama and the human condition.  There is Neville’s insufferable fear and stress, punctuated by horror and action as is required of most blockbuster movies in our time.

The time frame of the story as depicted in the movie is short, but Smith is convincing in the lead, giving exceptional character development and exposition in the brief time allowed.  He shows it all – fear, despair, loneliness.  All in realistic and humane terms.  The movie is virtually devoid of any comedic relief, as is common in most of the movies that Will Smith stars in.  This does not detract from the movie whatsoever.  He takes the role of Neville, and shows in exceptional terms how any person would slip away from sanity in the midst of such abject isolation. Action is more subtle than explosive, but the high-intensity of Smith’s human qualities throughout makes it all the more interesting.

The overall graphic scheme of the movie is very good, with scenery and environments brought to life incredibly well.  New York as a deserted, desolate place is depicted superbly in special effects, and sets the overarching emotional tone for the movie.  If you have ever been to this city, at times it is appealing as shown as an empty place, with the earth moving slowly to regain itself in the manmade landscape.    There has been complaint in other reviews and opinions on the CGI elements of the feature – particularly the vampiric humans – as not being sufficiently sophisticated or realistic.  There have been movies that are better in their effects, but I Am Legend outshines as a drama and story of man.  

There will be no spoilers in this review.  Thankfully the splatter level is low, and the movie is driven on story and Smith’s acting rather than overblown gore. Rest assured, this is a forceful drama, inserted into a horror story.  Alpha Dad readers should find this an interesting and entertaining movie over the holidays.

- AP

DEC07

 

Reference-

Pictures and official Warner Brothers Pictures movie website:

www.iamlegend.com 

 


 

Short Reviews- New on DVD

12/17/07

The Bourne Ultimatum

Rated R, 1 hr. 51 min.

☆☆☆☆

The Bourne Ultimatum


The latest, and ostensibly the last, installment in the Jason Bourne series. These books – then movies – are bestsellers, following the action of Bourne as a super-agent. Bourne loses his memory of who and what he is, and what he is capable of, after refusing to complete an assassination mission, and is shot in the process, and ends up in the Mediterranean Sea.

Bourne Ultimatum stays true to the series with incredible action – awesome fight scenes, great chases – and a plausible plot line that unfolds over the movie. The interesting part is that you can watch this installment as a stand-alone, and fully understand the storyline, but it is an extension of the trilogy (Bourne Identity, Bourne Supremacy, Bourne Ultimatum) that makes sense and is an excellent series.

In this feature, we find Bourne still pursued as a fugitive agent, with a death sentence on his head. He is slated for elimination, as he was the original member of a dark secret program – Treadstone – within the CIA, whose charter is to do all the dirty assassinations necessary to achieve strategic objectives. Now that Bourne has lost his overall memory of his induction into the program, his training, and his subsequent work, and refused to complete his final mission, he is considered a liability to the black-ops organization.

The action begins in Russia, and from there spans across London; Paris; Tangiers, Morocco; and New York. Every stage of the story is full of action, foot chases, car chases, and high-tension hand-to-hand combat. What is exceptional about the Bourne movies is that it never drags, but is not so overdone as to be unbelievable. Granted, at times Bourne seems to be capable of almost impossible acts- he drives cars like a Formula One driver, knows how to make field-expedient bombs and weapons – but it’s never hokey or implausible. Of note in the films is a specific lack of gore, as in most action films today. Quite the contrary – as Bourne comes to realize he was a trained assassin, he takes great pains not to kill any of those pursuing him, from local police to other Treadstone operatives. All serious action and violence in the movies is free of graphic gore that is common in this genre.

Matt Damon is exceptional as the lead character, keeping the story alive and realistic. His internal struggle coming to grips with what he is capable of doing and how he came to where he is a hunted man is all supported by Damon’s depiction of the character. Action films never seem to reach the lofty artistic requirements of the Oscars (which usually end up being a snore for real movie-goers), but Damon does a great job in ‘being’ Jason Bourne.

The graphic quality of the movie is a continuation of the cinematic style of its antecedents- grayscale bent to the coloring, high resolution and sharpness to the picture. At times the cinematography, most often up close with the characters, and shot in what some critics have called ‘jitter-cam’ can be a bit distracting, but it adds to the intensity of the action overall. The musical score is also notable in raising the tension and pacing the story.

The Bourne Ultimatum is a must-have for any action movie fan. It is suggested to watch the entire series – The Bourne Identity, The Bourne Supremacy, and The Bourne Ultimatum – either over consecutive nights, or as a mini film festival. This gives the best development of the whole Bourne character and resolution in the final film. All the works fit well and transition from one to the next, never leaving the viewer disappointed.

Either Ultimatum as a single, or the trilogy, would make a great gift item for any Alpha Dad or Alpha Male. Go get them and put them in the DVD player.

The Bourne Ultimatum
Amazon ASIN: B000VWYJ86
The Bourne Trilogy
Amazon ASIN: B000YMBBH0

Reference-
All pictures and the official Universal Pictures website:
http://www.universalpictures.com/bourne/main.html

 

Superbad

Rated R, 1 hr. 54 min.

☆☆☆☆☆
This absolutely hilarious flick should go on the shelf right next to Animal House. It will be a cult classic for years, guaranteed. Sure, it features the tortured angst of a group of nerdy teenagers closing out their high school years, but it’s not a kid’s movie, and doesn’t disappoint for adults. Snappy dialogue, the misery of being horny desperate teen guys, and the remarkable events of that last big party of the year, all make for an exceptionally entertaining feature. This movie is rated R, with good reason, but in my opinion is one of the best comedies you can see. Laughs start to end.

Superbad
Amazon ASIN: B000WZEZGI

 

Blade Runner- The Final Cut

Rated R, 1 hr. 57 min.

☆☆☆☆☆

If you’ve never seen Blade Runner, don’t let this one pass. 

 

Produced before Harrison Ford got kind of weird, before Edward James Olmos went political, and before Rutger Hauer got old, this is one of the greatest science fiction movies ever made.  Don’t let that genre put you off; the film is directed by the inestimable Ridley Scott (American Gangster; Blackhawk Down; Hannibal; Gladiator; Alien).  Blade Runner was the forerunner to many films following, in building incredible worlds that are imagined as our near future.  Great graphics and overall scope of the fantastic civilization created in the film set as the backdrop for a great action story.

 

 

 

Blade Runner- The Final Cut 

Amazon ASIN: B000UD0ESA

 

 

 

Feature Review

12/11/07

Beowulf

Rated PG-13, 1 hr. 23 min.

In Theaters and IMAX

☆☆☆

Beowulf

 

This is the legend of Beowulf, retold in a CGI full-animation production. This is a presentation of a myth from a story written in 700 A.D., which is actually a literary capture of oral narrative over centuries before this time, with the events of the story taking place around 500 A.D. The story is actually good: itinerant warrior vassal – Beowulf – comes to a kingdom in Scandinavia, seeking fame and glory. Beowulf is charged with killing a monster that comes and goes, wreaking destruction on the stronghold of the kingdom. Beowulf successfully dispatches the creature, Grendel, but then the mother of the beast (voice-over and character model of Angelina Jolie) – a female demon – exacts vengeance upon him and his band of warriors. Beowulf is forced to chase the demoness into her lair to save his honor and ensure the safety of the kingdom. When confronted with the demon, she entices him with promises of glory, fortunes, and to be the greatest king the world has ever known. If he will bear her a son.

 

It is interesting to see CGI renderings of entire movies now. The technology has progressed incredibly since the days of Star Wars. The artists and creators have really gotten static features like buildings and environments down. They appear ‘realistic’ even in a complete fantasy environment. Not so good on modeling people or animals. The complexities of movement in natural animals, to include humans, is so hard to replicate, even in this advanced age of graphic design, the features don’t appear correct or lifelike. This is exactly the case with Beowulf. At times the movie appears more like Shrek – in which a cartoonish feel to the graphics and characters is expected – than a fantasy rendering of realistic characters. I have to say, some of the newer video games, particularly on console, have captured better modeling of humans and animals than Beowulf did.

 

 

 



Even in its computer animated form, Beowulf goes a bit heavy on the gore. Lots of dismemberments and eviscerations that were over the top. Some of the scenes specifically cut away from the gory inevitable results of cutting, chopping, and fighting, but others were presented in full view, with blood and guts galore.

I am sure many male viewers are eager to see Angelina Jolie naked, if even in animated form. The rendering of her model was quite beautiful, but without any real detail. It was strange and almost ridiculous of the art director to give the demoness high-heels, formed by some sort of long dewclaw.

Also irritating is a prolonged battle scene between Beowulf and Grendle in which the hero has decided to fight the monster… naked. As in many PG-rated movies, there are scene props, used numerous times, to cover (thankfully) Beowulf’s crotch. It seemed almost a running joke as the scene went along, how much of a point was made to keep Beowulf modest.

The voice-over work was good, with character work done by Jolie, Anthony Hopkins, and John Malkovich. The lead was voiced by Ray Winstone, a British character actor. His voice work was respectable, although the hero’s proclamation – “I… AM… BEOWULF!” seems a bit overdone and an imitation of King Leonidas in 300.

Overall, the legend/story is a good one. The graphics of scenery and environments are beautiful and impressive. Even with the flaws in the animated renderings of the characters, it makes for an interesting presentation as a movie. I can’t help but think that perhaps the movie would have been better as a live-action film rather than animated. It is certainly worth a look on the big screen, and as of this writing is still showing on IMAX (which would make the movie more impressive). When it makes its release on DVD, it’ll be a good feature to catch.

-AP
DEC07

References-
Pictures and official movie website:
Paramount Pictures
www.beowulfmovie.com
 

 

 

Snapshot Review

11/11/07

American Gangster

Rated R, 2 hr. 40 min

In Theaters

A Guest Review by

John P, 61

Sr. Executive

American Gangster
 

No surprises here. In this mangled rewrite of the 'Scarface' series, it is readily apparent that too many cooks spoil the broth. From a slow start we have the opportunity to watch Denzel Washington and Russell Crowe crawl across the stage to the final credits.

While touted as a true story of a black gangster rising to power, it falls flat on execution. The saving grace that slightly justifies the cost of admission is the supporting cast. Cuba Gooding and Joe Morton are excellent and the cameo by Ruby Dee are worthy of mention for the awards in February. The story itself and the action scenes are for the most part forgettable.

The recommendation here is that you rent either of the previous 'Scarface' movies. The original with Paul Muni is a film noir classic and the remake with Al Pacino set the bar so high, this film doesn't even register on the Alpha Scale.

I tried to say something good about it but the concept evaded me totally. You can look at the ads for this one. Denzel got a $20 million check to do the movie. The original plan failed and when they restarted he got another $20 Million [Note- American Gangster was originally scheduled to be produced in 2004, with Washington in the lead role, along with Benicio Del Toro; production and directorial problems caused the initial failure of the project- Ed.].  I felt like yelling at the screen. When you go to a ball game and one of those overpaid underachievers doesn't try to make the base or catch the ball the operative comment is 'bet you you'd have caught it before you got the contract!'

 

-JP

9 NOV

 

Reference-

Promotional poster and official movie website:

Universal Studios

http://www.americangangster.net/

 

Snapshot Review

11/09/07

The Kingdom

Rated R, 1 hr. 50 min

In Theaters

A Guest Review by

John P, 61

Sr. Executive

The Kingdom

 

The Kingdom- The story line is built on a real life incident in the recent past involving a terrorist bombing in Riyadh, Saudi Arabia. The target of the attack was one of the civilian conclaves for foreign workers, most of whom were US Citizens. Subsequent to the attack on US citizens, a special FBI unit is immediately sent to Saudi Arabia to investigate the bombing. The suspicions, resistance and political issues that surround these types of events are the theme for the story line. Given all the acrimony in foreign affairs and sovereignty, the reality comes forth when Law Enforcement professionals from both countries realize that they are all on the same side in this war.

 

The action is pretty much nonstop and the only recommendation I can give is to fasten your seatbelt and hang on to the bar. This is not a movie for the squeamish nor those of liberal leanings; rather it takes a hard look of the realities of the warrior and how to directly deal with Jihad.  The separation of the good guys from the bad takes some time to become clear in the movie, but when it ends, the final lines make an unforgettable statement.  It will leave your heart pounding.

 

How the solutions unfold and the fair characterization of the terrorists make this more than just another action movie. The casting was brilliant, as the players all bring their own brand of talent to their roles. Definitely a must see.

 

-JP

9 NOV

 

References-

Pictures and official movie website:

Universal Studios

http://www.thekingdommovie.com/

 

Short Review

10/13/07

The Game Plan

Rated PG, 1 hr. 50 min

In Theaters/New Release

☆☆☆☆/

The Game Plan

 

The Rock- From college football standout, to professional wrestling bad boy, to action-movie star, to dramatic actor, to comedic lead. Whew.  Everybody knows who The Rock is (AKA Dwayne Johnson).  What you may not know is that he has starred in movies that altogether have grossed $360 million. With his mega-watt smile and impressive physique - and now comedic talent - The Rock's overall profitability was seen again in the opening weeks of his latest flick- The Game Plan.  As of this writing, it has grossed $50 million.

The Game Plan-  The light-comedy's plot is simple: egocentric pro football quarterback has a life-changing development dropped into his superstar life- he has a seven-year old daughter he never knew about.  The comedy comes in as tough-guy, self-involved jock has to evolve into caring, selfless,  and responsible Dad.

For the viewing and subsequent review of this movie, Dad wasn't able to make it to the theater.  However, the junior reviewers took Mom to the picture for her birthday.  Thus we'll get Mom's take on the flick, and add in the eight and 12 year-old opinions.

Mom (43)- The Game Plan was pretty much the perfect family movie- entertaining enough for a mom and the two boys.  It was very enjoyable, and managed to build in some good moral lessons in a fun family comedy.  The Dad (The Rock- playing Joe Kingman, a professional quarterback who is the star of the league) starts out as the selfish and egotistical athlete, and grows into a loving father.  You get the whole 'teamwork' lesson as well as the rewards of being unselfish.  A very wholesome movie for the whole family, regardless of age or gender, to enjoy together.

Junior Reviewers- H., age 8- It was a good action movie.  I liked the football hits a lot.  The movie was very funny. I liked two parts- when Peyton (The Rock's daughter in the movie) made a great big bubble-bath, and The Rock thought she was in there under all the bubbles, so he jumps in, but she's not in the bathtub; and when Peyton keeps telling the football player over and over that he shouldn't say 'stupid,' because it's a mean word, and then when the guy on another team tells him he's stupid, he says 'Don't say that! Stupid is a mean word.'  The best part was when The Rock threw a pass at the end to the guy he never throws to. [Ed.- Regardless that I described the Alpha Dad rating scheme to H twice - give it a rating of one to five stars... - ] H. said it was great, very funny, and he gave it 5-1/2 stars. [Ha! -Ed.]

L., age 12- I liked it very much.  It was a good birthday for Mom, and both me and H. liked it, so that was fun.  But Dad would have liked it, too.  I liked The Rock in it.  It was a good movie for him.  He starts out as a scary dude, but ends up as the gentle giant.  The action was kind of slow in the beginning, but it got intense at the end. The graphics were really good - when Joe (The Rock) gets hit really hard, you can see the spit come out of his mouth.  That was my favorite part of the movie, too- when he got hit so hard he dislocated his shoulder and broke his ribs, and spit flew out of his mouth.  The funniest part was the squirt gun scene, and The Rock scares everyone off.  It was a good movie for the whole family.  I give it 4-1/2 stars.

So, there you have it.  Mom thought it was great, the boys thought it was great, and overall it was an entertaining, funny movie with some good action.  A good movie to take the whole family to.

 

-AP

Oct 07

 

References-

Pictures and official movie website:

Disney Corporation

http://disney.go.com/disneypictures/gameplan/

 

 

Feature Review- Something Different

10/15/07

District B13

Rated R, 1 hr. 25 min.

On cable and DVD

☆☆☆☆

 

 

District B13

It’s probably a movie that you’ve never heard of, and it’s already three years old, but it is one of the best action movies I’ve ever seen.

A little background here:  The movie, District B13, was written and produced by the French director Luc Besson.  Besson was the director (as well as producer) of some exceptional intense action thrillers- of note are The Professional, starring Jean Reno; and La Femme Nikita (which reappeared in an awful and watered-down American remake - Point of No Return).  Besson also produced the straight action movies- both Transporter installments (starring Jason Statham), and the Jet Li flicks Unleashed and Kiss of the Dragon.  Also in his extensive filmography are the anomalous titles (as director) Arthur and the Invisibles (see review here), The Messenger: The Story of Joan of Arc, and The Fifth Element (a sci-fi action movie starring Bruce Willis, Chris Tucker, and Milla Jovovich).

As I watched B13, and found it to be such an excellent action movie, with a plot and characters that were actually believable, it had been a mystery to me on how it could be such a good film.  When I did a bit of research on the feature; to find Besson the writer and producer made the explanation a bit simpler. 

 

District B13

The snapshot plot for the movie- well, I won’t take a hand at describing it any better than the official movie description:

“In the near future, the worst ghettos of Paris, France are literally walled off and among the worst is District B13. Controlled by the ruthless crime lord, Taha, a young righteous punk named Leito to is determined to bring him down. When the boss retaliates by kidnapping his sister, Lola, a rescue attempt by Leito is destroyed by betrayal that gets him arrested and Lola kept in the clutches of Taha. Six months later, a crackerjack undercover cop named Damien is given a urgent mission: a neutron bomb has been stolen by Taha in District B13 which has an automatic timer function engaged and set to detonate in less than 24 hours. Now with time running out, Damien and Leito to must work together to find and stop the bomb, but there is far more to this crisis than any of the field players realize.” (Magnolia Pictures)

If all that sounds a bit much, it works.  Really. 

The only feature that may put off this readership is that the movie is in… French.  Stop.  Wait- It’s a great movie.  Honestly.  The movie dialogue is in French with English subtitles.  But it’s a great action movie (not terribly overblown like some American flicks; see- Shoot ‘Em Up), and the plot actually holds up over the course of the picture.  A note on the action- have you ever seen the clips online of guys climbing buildings with nothing but their bare hands, jumping from rooftop to rooftop, or making their way down and across stairways, crossing short walls, etc?  Some of the clips are directly from this movie, and some of the other videos you’ve seen on the net are the same guys (Cyril Rafaelli as CPT Damien Tomaso and David Belle as Leito in the movie).

For a great description of the stunt styling and form used in the movie, look up ‘Parkour’ on Wikipedia (www.wikipedia.com ); it gives a cool explanation and pix on the subject.  It’s an entire form of urban gymnastics and superhuman moves.  The actor David Belle is the ostensible creator of this style.

Give this great movie a try.  Sure, it’s French, and it’s subtitled, but again- it has a good storyline, the action is great, the stunts are incredible.  And the overall movie isn’t a caricature (as many American action movies have become; again- see Shoot ‘Em Up review).

The movie is now playing on Showtime, and is also available through Netflix, or online from Amazon. 

I'm interested to hear reader feedback after sitting for this movie.  If I was wrong about it, feel free to tell me.  If it was great, lend your opinion supporting the flick.

-AP

Oct 07

 

Reference-

Promo material and screen shots- Magnolia Pictures

http://www.magpictures.com/default.aspx

 

 

Feature Review

9/27/07

Shoot 'Em Up

Rated R, 1 hr. 27 min.

In Theaters

☆☆

Shoot 'Em Up 

Quick Take- Just like the name says- shoot 'em up.  Heavy on the realistic gun violence, particularly shot-kills.  I tried to keep an approximate tally, but the body-count was at least over 100.  Wave after wave of human bullet-catchers direly attempt to terminate Mr. Smith (Owen), who was apparently a super agent in a previous life. The movie has a pretty good soundtrack (metal-oriented, with a driving  progressive / alternative  hard rock sound).  Storyline (according to New Line Cinema) at right. 

One-sentence description of the movie- ultra-violent and terribly implausible.

Shoot 'Em Up

The production company left out a few important notes on story description- in particular a plot that would ostensibly be workable.  Big problem- there are so many gun-deaths and thousands of rounds expended (to the extent that the viewer is exhausted by film's end) you kind of forget about the need for a story.

I'll try to take it slow, and keep it as short as I can here: 

Very first scene of the movie is Mr. Smith eating a carrot, sitting on the bench at a filthy bus-stop.  Nutty opener, but that's what runs first.  The carrot accoutrement is important, but more on that later.  A minute or so following the opening scene, Smith has a pregnant woman run past him at the bus-stop, and she's subsequently pursued by a thug.  Smith hesitates to get involved.  His conscience gets the better of him, and he follows the pair into a deserted warehouse.  This is about where the shooting starts, and seemingly doesn't end until the last scene of the movie.  He kills all the bad-guys pursuing the expectant mom (at this point he has no idea why she's fleeing), as the single creep turns into a gaggle of hired attackers on the woman's trail.   All this excitement apparently induces labor.  In the middle of the (first) warehouse gun battle, Smith helps her deliver the baby.  This is the beginning of the weird and insane part(s) (more on that in a moment).  As this primary shootout wraps up, the post-partum mother is killed by a not-so-stray bullet, and Smith is stuck with the baby. And his conscience. 

As Mr. Smith keeps being followed even after escaping with the newborn, we start to realize the baby is core to the story.  Just stick with New Line's story description, as it's the only thing that will keep the story's denouement  cohesive enough to understand.

Enter Giamatti, an Academy Award Nominee, as the lead henchman for this insane, if amateurish, legion of hit-men churning their way through the flick.  Giamatti has been hired to find the woman, terminate her, and retrieve the baby.  In the movie Giamatti's character describes his profession as a former Forensic Behavior Specialist Consultant for the FBI (he is repugnant to the description 'profiler').  Giamatti's characterization of the heavy in the movie is a strange one- alike to the mad evil scientist in some pictures.  Oh, and he has a penchant for necrophilia, fondling the dead mother's breast prior to disposing of her body.

I won't go too much farther in description of story and introduction of the script-line or the characters. The only other significant character of substance in the movie is Monica Berlucci, playing a 'specialty' prostitute dragged into the plot by Mr. Smith.  Her services, owing to her specialty- lactation-  are needed to breast-feed the baby subsequent to the mother's death. Berlucci's Italian dialogue and attendant Italian accent in is insipid in English  and intrusive in Italian.  Her sole saving grace is her beauty and figure on screen. 

If the carrot chomping and wet-nurse prostitute weren't enough, the collection of assassins, thugs, and general criminal types sent to find the pregnant woman, and, subsequently Mr. Smith and his newfound nanny for the baby, were all creepy, crusty characters, dressed fully in black, with black leather jackets.  Every one of them.  Imagine- Keystone cops, and the criminal in question wearing a black knit cap, black eye bandana, with five-o'clock-shadow- that's the bad guys in the movie.  We end up suffering the gratuitous love scene between the female and male leads; their intercourse (thankfully, I think) interrupted by another shootout.  Virtually the only neat prop in the entire work is Giamatti's 1964 all-black Lincoln Continental with suicide doors (remember Animal House?). 

Here is a sampling of the crazy, totally out-there parts of the movie.  Okay, I'll say this once so I don't end up repeating myself- I am not kidding when I say: 

- Apparently not only is Mr. Smith a big fan of the orange vegetable, of course we get two gory kills by carrot, with the carrot as the weapon inflicting death (in bloody, close-up framing).

- The newborn baby gets his umbilical cord cut by (an intentional) gunshot (who comes up with this stuff?).

- Mr. Smith comes up with the ideal safehouse for stashing away the pursued child and prostitute-nanny. He hides Berlucci and baby, and I have to got say it again- I'm not kidding- in a displayed army tank housed in a military history museum full of people.

- Terrible, terrible one-liners throughout the movie.  (sigh) Yes, we get the 'what's up doc?' (carrots, remember?).  The only line I found humorous in 90 minutes of blood-spattered violence: Giamatti's exclamation after having another 50 of his hired incompetents wiped out- "Do we really suck that bad, or is this guy really that good!?"

- Smith setting up a complex trap- a 'fly-by-wire'-controlled shooting gallery comprised of about 20 weapons, from handguns, to submachine guns, to shotguns.  He gets the whole multi-weapon contraption together in about 10 minutes, all under the noses of a gun warehouse full of guards and bad guys. 

 

I could go on and on with the list of crazy S in the movie, but I won't bore you.

Technical and graphics: The cinematic style was pretty simple, with nothing out of the ordinary.  Stunts were awful and overdone (think Asian kung fu movies, with people flying through the air, spinning and chopping superhumanly; same thing in Shoot 'Em Up, only with guns).  At least in Jackie Chan movies, the fight choreography is excellent, and I know Chan is doing his own stunts, because you get to see him cracked in the head, the crotch, pretty much all over his body, in outtakes at the end of his flicks. Shoot 'Em Up displayed no adherence to this level of realism or craft.  Lastly, the CGI graphics overlaid in the filmed backgrounds were awful (a baby's CGI head being stuck in the scenes, looking fake and kind of creepy).

Here's what I think happened- New Line got a (decent) script, probably written as a dramatic action-thriller, like The Bourne Supremacy, signed on some good actors (Owen and Giamatti), and then turned the film over to a director that wanted to be the next Quentin Tarantino (director Michael Davis).  What they ended up with is an overblown, steroid-injected, testosterone-fueled, blood-and-gun frenzy.  With carrot-killing.

I was going to say- completely pass on this movie.  But then I got to thinking about it- no, you have to see it. 

Don't watch it with your love interest (she would never let you pick the movie again). 

Don't watch it with your kids (you'd be guilty of child-abuse).

Save it for a guy's night with your pals.  Get the guy in your circle of friends with the biggest TV to host, or invite everybody to your house (after reading this review).  Grab a few beers, if that's your thing, or just the chips and dip.  Then sit with the guys and watch this insane thing.  You probably won't like it, you'll probably find the story a snore; the violence will likely seem overdone to you.  But at least you'll get to see what I meant when I said (over and over) "I'm not kidding!"

Note- as of this writing, Shoot 'Em Up is still in theaters.  It will likely not last there long.  If you miss it on the screen, I'm sure it will go to DVD in short order.  Then you can torture yourself and your friends with it.    

 

-AP

Sep 07

 

Reference-

All pictures and official Shoot 'Em Up Website:

New Line Cinema

http://www.shootemupmovie.com/

 

 

Feature- Something Different

10/07/07

An Article on The Samurai Western

and

The Works of Akira Kurosawa

Snapshot Summary in Manly Arts

Article

Feature Review

9/20/07

Transformers

Rated PG-13, 2 hr. 23 min.

DVD Release- 16 Oct

☆☆☆☆☆

 

 

 

Transformers     

If you haven’t seen Transformers, you (and your kids) missed the blockbuster of the summer.  With a production budget of $150 million, the movie has earned just shy of $700 million worldwide, with good reason.  By comparison, Spider-Man 3 was produced for a whopping $300 million and in my opinion (and that of my two sons), was pretty boring and unimpressive (although it has earned about $900 million).

A short history and storyline: Transformers first aired as a TV cartoon in 1984.  The graphics were about what you would expect for that era.  The concept actually made it to the screen a first time in 1987, in an animated version.  The general storyline of the franchise is an epic struggle of an advanced alien race of creatures, in two groups, good and bad, with earth as their battleground after losing their home planet.  The creatures are capable of replicating any mechanical structure they come in contact with.  The two groups are the Autobots (good) and Decepticons (bad), with their respective leaders Optimus Prime and Megatron.  The human race is protected by the Autobots in this overarching battle of good vs. evil, while the Decepticons are callous to the residents of our planet.  (If you need a better explanation of who or what the Transformers are, you can likely get an adequate explanation from the nearest six-year-old).

If all this sounds a bit corny or uninteresting, you clearly have not seen the movie.  The original concept was refreshed and injected with incredible modern-day graphics, a superior screenplay and an enjoyable feature storyline. The CGI graphics blend exceptionally well with the filmed environments; the characters, both human and Transformers, are plausible, filled with humor and emotion, and well-executed in the work.  On the graphics- absolutely phenomenal; truly one of the best screen renditions of CGI/fantasy characters ever made.

Of interest for Dad is the movie showcasing (in the form of an Autobot) the coming Chevrolet Camaro, with a projected 400 horsepower.  The car/character are presented in brilliant yellow, with the Autobot figuring largely in the storyline, giving ample scenes to appreciate the car.  Also featured is a Decepticon made up of the Saleen Mustang, presented in a police cruiser (with the witty alteration of the emblem motto ‘To Protect and Serve’ of many departments, being transmogrified into ‘To Punish and Enslave’). (For more information on these two serious hotrod machines- http://www.chevrolet.com/performance/ , www.saleen.com)

The overall moral lesson of the movie is a great one for children, with the battle of good vs. evil, cloaked in a movie feature with excitement, action, and great graphics.  The Autobots work together, along with their human allies to achieve their objective, with protection of the weak throughout the movie.  As much as we would like to find our children interested in the moral stories of our generation, this is a depiction that is exceptionally appealing to kids today.

I can't recommend this movie highly enough- for entertainment value, graphics, and moral lessons contained.  If you watch the movie (with your children), even if you find the story tedious or not your typical movie fare, your kids should enjoy it immensely.  It should also provide the opportunity to make teaching points, and discussion of greater principals (good vs. evil, teamwork, protecting others, etc).  I hope you take the opportunity to give the movie a shot.

A special bonus- Transformers is showing in IMAX, for a limited run.  This movie is highly recommended when it makes DVD release, but if you have a chance to catch it in IMAX, I think it would be even that more impressive and exceptional.  (Transformers IMAX)

Caveat- extreme intensity of the movie and action, as well as occasional coarse language and mildly mature content, may make the movie too much for young children.  Additionally, there is a scene late in the movie that shows the death of one of the Autobots (no gore, but strong scene), which some children may find upsetting.  With a family viewing of the movie, it should be acceptable for children 6-8+. 

BTW- as is common with many movies today, the franchise has made a great new game (platforms- PS2, Xbox 360, PSP), using storyline and characters from the movie.  It is a fast-paced and action-filled 3rd person title, with great graphics.  It got two thumbs up from the junior reviewers (boys, age 8 and 12) in the family.  Dad found it pretty cool, too.  (AD Review).

-AP

Sep 07

Reference-

All pictures, and official Transformers website

Dreamworks LLC and Paramount Pictures

http://www.transformersmovie.com/

 

 

Actor Profile

9/23/07

           

Ryan Reynolds

I thought I would bring to your attention a great young actor whose work I enjoy. I hope you'll give some of his movies a look, as most of them are pretty entertaining.  You can find more extensive bios and even fan sites on Reynolds, but I wanted to give you the Alpha Dad view of his movies.  And the pictures that I posted here are as unassuming as I could find- if you look on any of the fan sites, the pix are apparently for a far younger (and female or gay) set; lots of shirtless buff images (sadly reminding me of my age).

In short, from first seeing Reynolds in the campy National Lampoon's Van Wilder, I liked his comedy work.  After a few following roles that weren't too noteworthy, Reynolds then completely switched gears as a vampire hunter in the the third installment of the Blade series, Blade Trinity.  His role in Trinity was as a serious hard dude, but he retained his smart-ass sarcasm.

Returning to his comedic side, Reynolds then starred in the straight-to-DVD title, Waiting.  If you haven't been moved to catch this flick after seeing it on the shelf in the movie store, give it a try.  Reynolds is exceptional as a quirky, sage young server in a Chili's-type restaurant, whose staff is full of weird and funny characters.  This movie is hilarious, but be advised- if you watch it, you may not want to eat out for a while.  In the same year (2005), Reynolds was again the comedic lead in the entertaining Just Friends, as a lovesick big-time music producer, returning to his hometown, in the hopes of appearing the conquering hero. He was depicted as a severely overweight child, who had worked himself into a debonair, slim Hollywood mover and shaker.  This movie is a pretty safe choice as a 'date movie.'

Reynolds came back in his next movie as the lead role in the 2005 flick, a remake of The Amityville Horror.  Much more serious stuff, with the movie showing off Reynolds' character intensity, as well as the obvious efforts in his physical conditioning. Smokin' Aces (snapshot review below), the latest movie of note in his filmography, has Reynolds in a more serious role, co-starring with a group of storied and able actors (Ray Liotta, Andy Garcia, Jeremy Piven).  There has been conjecture on Reynolds playing the Flash, or perhaps even Sub-Mariner in the rumored screen adaptation of DC Comics superhero characters.

A serious fitness buff, Reynolds was the cover model of Men's Health UK edition in 2006.  His dedication to training and diet is apparent in his film persona and physical stature.  He made controversial statements (and was featured on the cover) in the gay community magazine, The Advocate.  I'm not sure how this affected his standing in Hollywood or with his fans.

Reynolds is a very able actor- his serious film work and sarcastic comedic talent bear a look.  I hope you find his movies as entertaining as I do.

-AP

Sep 07

 

Perspectives: the reviewing staff for these movies are: Dad (adult and kid movies), age 42, with

significant input from the junior reviewers, the two sons (on the kid movies), ages 8 & 12.

Alpha Dad Rating of Movie is -☆☆☆☆☆

Adult and Young Adult Movies

Movie

Rated

Genre

Review

Shoot 'Em Up

☆☆

R

Comedy

See feature review

Super Bad

☆☆☆☆

R

Comedy

A comedy presented in a teen-oriented vehicle, although rated R.  This is honestly one of the funniest movies I have ever scene.  It shows the angst and difficulties of the high school years (intense sexual desires, being cool, beer busts, dealing with bullies, etc).  The screenplay is exceptionally well-written with no drag throughout the movie, and laughs all the way along.  The characters are likable, and probably resemble people you knew in high school.  An absolute must-see if you want a funny, light, albeit juvenile comedy. Warning- NOT acceptable for children under 17 or so.

300

☆☆☆☆☆

R

Action

A (mostly) true piece of history (the battle of Thermopylae) in an incredible graphics-rich feature.  Interesting evolution of events to depiction on the screen: a battle in history, made into a graphic novel, made into a movie.  The fact that the screen rendition was fashioned after the graphic novel is important in watching the movie, as the color tones and somewhat fantastic elements of the novel are present in the movie.  Incredible graphics, great action, although a bit heavy on the gore, and strong story point (the fight against tyranny), make it enormously enjoyable.  Probably not a date movie, nor for the faint of heart, but a fantastic movie.  Not your dad’s view of history, but something you have to see.  I watched the movie both in the theater, and on widescreen TV, and nothing is lost in the transition.  Surround sound on the home theater is excellent.  Be sure to watch this one.

Pathfinder

☆☆

R

Action

Another fictionalization supposedly based on legend.  The color tones in the movie are close to grey-scale, almost creating a film noir.  Story is a bit weak, and action somewhat gory.  Worth a watch as an action movie, but don’t expect too much.

Blades of Glory

☆☆

PG-13

Comedy

Another Will Ferrell vehicle, along with the kid who plays Napoleon Dynamite.  Some very funny spots throughout, but overall humor is juvenile and campy.  I’ve seen Will Ferrell’s bare torso exposed in too many movies, to the extent that I can tell you with certainty that he's had an appendectomy.  Some great one-liners and silliness. This is NOT a movie for kids, and I disagree with the PG-13 rating.

Shooter

☆☆☆☆☆

R

Action

Great modernization of a persistent character in a number of books by Stephen Hunter.  I read all the books a few years ago, and the movie stays true to the character, while updating the story era.  Mark Wahlberg is believable as a sniper after his military service, and is paired with a very attractive female co-star.  Typical ‘our evil government’ conspiracy story, but countered by great action (not heavy on the gore) and reasonable plausibility.  Should watch.

Reno 911

R

Comedy

Campy humor.  A continuation of the TV series.  To be honest, the TV program is better, and I think the money was ill-spent in moving it to the big screen.  If the producers made money on it, good for them, but I felt it was an hour and a $5 rental essentially wasted.  If you want a mindless piece of somewhat amusing material, this may be your Saturday night.

Ghost Rider

☆☆

PG-13

Action

Again, Hollywood cracking the code on the popularity of comics and the various imaginative characters of that genre.  Pretty lame depiction of the inception of the Ghost Rider character, and I am thoroughly tired of seeing  fake hair plastered over Nicolas Cage's receding hairline.  Special effects are a saving grace to the film, but be advised- some of the biblical imagery of fire, brimstone, demons and the devil may be too much for young viewers.  Best watched with parents to monitor and explain the movie to children.  Not advised for children under 10 or so.

The Messengers

R

Scary

A bland example of yet another malicious spirits movie.  Some of the special effects are interesting, but not enough to carry the film.  When you run out of other things to watch and want a scary movie, this may be it.

The Number 23

☆☆

R

Drama

Jim Carey in an (intended) intense dramatic thriller.  It doesn't really live up to this standard as a movie.  Carey's character becomes obsessed with the number 23 after receiving a book on his birthday, and the prophetic and persistent nature of the number in his life.  Carey’s acting is decent in many genres, this one included, but the movie and story are not carried by it.  Saving catch of the movie is a twist in the ending.

Norbit

☆☆

PG-13

Comedy

Typical Eddie Murphy feature with Murphy playing multiple characters.  Some good laughs and adult-oriented humor.  A reasonable comedy for entertainment.  I would NOT recommend for kids under 15 or so, despite the PG-13 rating, owing to the sexually-oriented humor.

Pan’s Labyrinth

☆☆

R

Fantasy

Stylistic fantasy movie, with all dialogue in Spanish, English subtitles.  Unfortunately, it does not live up to its billing as an artistic work.  Quite the contrary; strong depictions of vicious acts against people by the strong-arm government/military types are shown a number of times.  Conflict and character groups apparently fashioned after the Spanish Civil War, immediately preceding World War II.  Fantasy elements and effects do not do enough to support the film.

The Fountain

☆☆

PG-13

Fantasy

A story of eternal love, spiritual rebirth, and the maturing of the soul over many lifetimes.  Special effects abound in ethereal environments, and Hugh Jackman is reasonable in the lead.  Color scheme of the movie is a stylistic golden shade.  Interesting visually, but not enough to bring up the value of the film significantly.

Dragon Wars

PG-13

Action

Major point to be made- my young movie reviewers loved the movie, owing almost entirely to the featured dragons.  However, to this adult viewer it was quite tedious, and the special effects rather amateurish, and not nearly on a par with other major releases this year.  The storyline was cumbersome in the beginning of the movie, as well as being terribly implausible.  This primer was overly complicated, but didn’t seem to bother the two boy reviewers.  Only novel twist is the use of a Korean legend (as opposed to Japanese or Chinese) for the storyline.  Pass for adults, fun for the kids.

Smokin' Aces

☆☆☆☆

R

Action

Exceptional action/drama.  Ryan Reynolds and Ray Liotta doing good character work as FBI agents; Jeremy Piven as the main anti-hero of the movie.  Annoying use of two females as paid assassins, one of which was a sniper, using a .50 caliber Barrett as the weapon of choice (come on!).  Heavy on the realistic violence, blood, and death from gunplay.  Very stylistic in its camera use, hyper-sharp picture quality, and monochromatic bent of the visual tones.  A bit disappointing in the end plot ‘twist.’  Well worth a watch on a weekend night. 

Lucky Number Slevin

☆☆☆

R

Action

Early release, late distribution on DVD.  Decent feature with Bruce Willis playing a somber hit-man with a grain of goodness in him. Cool performances as opposing crime bosses by Morgan Freeman and Ben Kingsley. Lucy Liu attractive as the female foil.  Dramatic enough to watch as a home date movie.

Little Miss

Sunshine

R

Comedy

Awful.  Terrible characters, lame acting, terrible storyline.  Laughs are short, tedium is long.  Pass.

Talladega Nights

☆☆

PG-13

Comedy

Will Ferrell again, this time as a good old boy NASCAR driver. Sacha Baron Cohen; (perhaps better known to you as the character Borat, or maybe even Ali G) gives a funny, over-the-top performance of a gay, French racer, converted from European Formula One to shame the Americans at their own game.  Some great one liners by Ferrell (ex.: "Dear Lord Baby Jesus, I want to thank you for this wonderful meal, my two beautiful sons, Walker and Texas Ranger, and my red-hot smokin' wife, Carley."), but not sufficient to carry the movie.  Sad Will Ferrell movie.  Coarse language and adult material make the movie inadvisable for kids under 13 or so.

Idiocracy

☆☆

R

Comedy

Storyline- guy put in cryogenic sleep/suspended animation awakens to find the world completely dumbed down, in a state of (post) abysmal decline, and corporate interests running everything.  A real snore of a movie.  However, worth watching for the descent of popular culture, paralleling (in a sad, realistic way) the fall of western society.  You will likely find yourself dismayed by the analogy if you decide to watch the movie.

Kids’ Movies

Movie

Rated

Genre

Review

The Game Plan

☆☆☆☆/

PG

Kids and Family

See feature review.

Transformers

☆☆☆☆☆

PG-13

Kids

See feature review.

Harry Potter-

Order of the Phoenix

☆☆

PG-13

Kids

Even the boy reviewers found this latest installment of the series a bit boring and confusing.  I have never read the books, but I can’t help but think that they're likely better than the movies.  The special effects are not too special, and do not substantially improve the movie.

Pirates of the Caribbean-

At World’s End

☆☆☆

PG-13

Kids

Again, a decline of a series, with the quality worsening in the third episode.  Johnny Depp is weirder, but not better.  Story turns make the film worse. Keira Knightley is nice to look at, and probably the best part of the movie for this readership.  A decent family movie to watch with the kids.

Cars

☆☆☆☆

G

Kids

Great G-rated fun in an animated movie for the kids.  Decent moral point to the flick, but probably goes over the heads of the primary target audience (kids under 10).  A good movie to watch on family night.

Spider-Man 3

☆☆

PG-13

Action

Zzzzz.  The franchise worsens.  The special effects have not improved, despite the enormous 300 million dollar budget.  As far as kid-oriented action movies are concerned, the bad guys are less intimidating and spectacular, and thus of less interest to an increasingly sophisticated, discriminating young viewership.  The kid reviewers liked this movie, but even they said it was not as good as Spider-Man 2.  ‘Nuff said.

Fantastic 4- Rise of the Silver Surfer

☆☆

PG-13

Action

Lame-o.  Terrible overall.  They took one of the longest running and successful comic franchises, and made first one crappy movie; this is a second.  I didn’t like it, my young reviewing staff didn’t like it too much either.  Lackluster special effects, tedious characters.  Saving grace- the incorporation of the Silver Surfer to boost the movie.  You may not have noticed the movie marquees and marketing points, but the Silver Surfer figured larger than the '4' in the promotion, as well as the official static display for the movie.  Depiction of the Surfer was pretty good, and it was great to have discussion with the boys over one of my favorite comic characters.  Worth a watch for the Silver Surfer, but expect a lot of smarmy, boring dead space until his role is highlighted.

Arthur and the Invisibles

☆☆☆

PG

Kids

Great kids’ movie.  Nice graphics and colors.  I thought a G rating would have been appropriate.  Big moral point- the little boy honoring the obligation to save the fantasy creatures living in his yard.  Good family movie to watch together.

The Last Mimzy

☆☆☆

PG

Kids

Very nice movie, and interesting for the kids.  Highly recommended, despite a lack of sophisticated special effects.

Bridge to Terabithia

PG-13

Kids

Pass.  A movie based on a book (which I haven’t read).  I'll be the spoiler in my negative review of the movie- there is significant character development, and the interaction between the lead boy and girl roles as friends.  Despite its attempt to fool watchers into thinking it was a special effects and CGI- intensive movie, this was perhaps 5-10% of the picture.  Parents should be aware that (here's the spoiler) the young girl in the movie dies. And the young boy lead is devastated by the loss.  Precarious material for a young audience.  Be sure to watch it with your kids, and be prepared to explain the concepts of death, guilt, and grief.

Surf’s Up

☆☆☆

PG-13

Kids

Yes, another penguin movie (sigh).  But it was actually quite good.  Storyline is essentially unnecessary in (good) kid movies. The characters were funny and likeable, and the total CGI rendering was done very well.  Great movie for kids of virtually any age.

Superman Returns

PG-13

Kids

Now on pay cable premium channels and DVD.  Skip it, unless the kids really want to see it.  Terrible choice for the lead in the role of Superman, and even the addition of Kevin Spacey as Lex Luthor does not bring this movie up to watchability.  Pass unless it's the resolute pick (by the kids) at the video store.

         

All-time Favorites (more to be added)

Movie

Rated

Genre

Review

Major Payne

☆☆☆☆☆

PG-13

Comedy

My all-time favorite movie for dad and son viewing; we've watched it together ten times or more.  Damon Wayans absolutely captures the role as an over-the-top Marine Corps drill sergeant stuck at a private school, chartered to boost the junior ROTC program.  Exceedingly humorous, fall-out-of-the-chair hilarity throughout.  An absolute must-see comedy.  You and your kids will find yourselves repeating tag lines from the movie (you’ll see- he-he-he-he).  Caveat- some crass language at times, but worth it in watching with the kids (8+ years).

Over the Hedge

☆☆☆☆

PG

Kids

Good, clean fun in an animated feature.  Enough humor and supporting story line to keep parents interested.  Most exceptional scene- when the hyper, fast-talking squirrel in the group of friends is finally permitted to drink a highly caffeinated power drink, and seemingly stops time with the subsequent result.  It sounds off-the-wall, but the scene is hilarious and  makes the whole movie worthwhile.

Monty Python- The Holy Grail

☆☆☆☆

PG

Comedy

A great classic from the Monty Python line.  Believe it or not, this is an all-time favorite of my two sons.  I didn’t realize this well enough until, while watching it together, my youngest son echoed the lines as they were spoken in the movie- “… your mother was a hamster, and your father smells of elderberries!”

           

 

Series

Series

Rated

Genre

Review

Entourage

☆☆☆

TV-MA

Drama/Adult Comedy

Target audience probably a bit younger than this readership.  Good young adult humor at times, infrequent nudity, some drug usage.  Storyline- a group of friends, all part of the ‘posse’ of a young, successful movie actor, living their trials and tribulations in Hollywood.  Worth watching, but it drags at times, and the humor is directed at other age group/interests. Not suitable for kids under 17.

Californication

☆☆☆

TV-MA

Drama/Adult Comedy

New program. David Duchovny and Natascha McElhone star.  General storyline- a quirky washed-up Hollywood writer, trying to find his way back to being a ‘good’ writer, and  motivated person.  His pursuit of maturity and becoming grounded consists largely of having sex with numerous attractive women.  Typical ex-wife and smart-ass kid in the storyline.  Frequent nudity.  Humor and irony is exceptional.  Very well worth watching.  Not suitable for kids under 17.

The Sopranos

☆☆☆

TV-MA

Drama

Almost everyone has seen the series; if you haven't, it's worth catching a few episodes.  However, the series has lost its drive in the final season.  All seasons are available on DVD, so it's a good serial to watch for entertainment through downtime, to enjoy the thread of the interconnected story lines.  Not suitable for kids under 17.

Rome

☆☆☆☆☆

TV-MA

Drama/Action

Exceptional fictionalization about the heyday of pre-Christian Rome.  Very well written, with good performance and depiction of significant characters in Roman history.  Frequent nudity and extreme violence at times. Very much worth watching.  Despite the historical value, not suitable for kids under 17.

Curb Your Enthusiasm

☆☆

TV-MA

Comedy

Very dry humor about a crotchety comedian/writer living in Hollywood, with Larry David, the former lead writer of Seinfeld, both writing and starring.  Irony, sarcasm, and general misanthropy abound.  Well written at times; extemporaneous humor ok.  Worth a watch if you like dry, sarcastic humor.  Not suitable for kids under 17.

Weeds

TV-MA

Comedy

A serial about a drug-dealing family in American suburbia.  Obvious overall content about drug dealing, drug use, adult humor, adultery, etc.  Sometimes well-written and mildly humorous.  Overall- skip it.   NOT suitable for kids under 17.

 

End Content

 

 

 

 

Reviews coming Soon

Movie

Rated

Genre

Review

The Last Kiss

☆☆☆

PG-13

Comedy

Pending

The DaVinci Code

PG-13

Drama

 

Pending

The Omen

R

Horror

Pending

           

Main Page

 

 

 

 

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